Raindance 2026: Child

Starting out as a gruelling ethical quandary before progressing somewhere borderline fantastical, Child (2026) is without doubt a bleak film, but an innovative one, and it works effectively on its own terms, keeping a very humane, character-focused approach throughout its bizarre literal and metaphorical journey. We start with two doctors attending to what is clearly […]

Raindance 2026: Sacrificios

Mictlantecuhtli, the Aztec God of the Dead and page upon page of Aztec art depicting his historical ritual appeasement dominate the first minutes of Mexican director Mauricio Chernovetzky’s Sacrificios (2025), a study of Mexican religion, grief, fatherhood and guilt. After lingering across various drawings and sculpture, the camera pulls back to reveal a small boy, […]

Peppermint Pixie Dream Girl (2026)

Whoa – don’t be fooled by that title. Peppermint Pixie Dream Girl (2026) may start out kitsch, with all the aesthetic trappings of vintage Americana – but it swiftly takes us somewhere far darker, and it’s all the more intriguing for it. We start in a kind of Happy Days diner, where a couple kills […]

Frida: the Making of an Icon (2026)

Frida: The Making of an Icon, part of the Exhibition on Screen series, opens with a recording of Kahlo’s painting El Sueno (La cama) – or The Dream (The bed) – selling at the Exquisite Corpus auction of Surrealist art at Sotheby’s for a staggering $57.4 million. The painting depicts Frida sleeping on a wooden […]

Matador Bolero (2026)

Matador Bolero starts very calmly: there’s a young woman communing with nature against the backdrop of a rather beautiful, Super 8, retro-styled idyll. There’s no dialogue as of yet, and no music. She then finds a large, pastel-coloured egg, placing her hand on it – all the while being observed by a masked figure, hiding […]

Obsession (2026)

Bear (Michael Johnston) is a music store employee who harbours romantic feelings for childhood friend and co-worker Nikki (Inde Navarrette), but is finding it difficult to articulate his affection. Mutual friend and workmate Ian (Cooper Tomlinson) thinks that Bear shouldn’t risk jeopardising the current, comfortable situation between members of their easy-going social group, which also […]