By Adam Page There is something about Stephen King that, I think, he himself would probably concede after a few coffees and the right provocation: he can’t always see the wood for the trees. There is no question that he is one of the most instinctive and devastating horror writers of the twentieth century, an […]
What kind of place is this? Backrooms (2026) is another of those break-out indie horror films from a young director unburdened by the weight of a legacy, whilst still benefitting from the ever-growing wealth of horror cinema which operates like its own microculture, cross-pollinating titles, genres, ideas and styles. Alongside Obsession, it picks up its […]
Frida: The Making of an Icon, part of the Exhibition on Screen series, opens with a recording of Kahlo’s painting El Sueno (La cama) – or The Dream (The bed) – selling at the Exquisite Corpus auction of Surrealist art at Sotheby’s for a staggering $57.4 million. The painting depicts Frida sleeping on a wooden […]
In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have to power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]
In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have to power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]
By guest contributor Adam Page There are some cities in the world that get inside you. I don’t mean in the tourist-brochure sense, like Rome seducing you with its golden light and self-satisfied beauty, but in the way a wound gets inside you. Berlin in 1981 was that type of city. You didn’t visit Berlin, […]
In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have to power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]
In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have to power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]
In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have the power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]
One night. One cinema. Six movies. Are you ready for Freddy? That was the more than tempting carrot dangled in front of hungry horror fans by Sheffield horror festival Celluloid Screams, here breaking out of its extended weekend format to bring one of several events it will be holding this year outside of the main […]
By guest contributor Adam Page I want to start by addressing something that may seem like a ludicrous claim on its surface. I want to argue that Sam Neill, the charming New Zealander who played Alan Grant in Jurassic Park and whose default facial expression is a sort of warm, self-deprecating amusement, is arguably the […]