Freddy (Thom Mathews) is a new employee at the Uneeda Medical Supply Warehouse in Louisville, Kentucky. Supervisor Frank (James Karen) attempts to give this thoroughly unglamourous form of employment some umph by taking Freddy to the basement, where drums of a toxic gas called 2-4-5 Trioxin have been stashed by the military. Frank accidentally breaks […]
For those of you who still have affection for print media – and why on earth wouldn’t you? – Darkest Margins: 24 Essays on Liminality and Liminal Spaces in the Horror Genre is a completed and upcoming project to watch. Cards on the table: I’m fortunate enough to have a chapter included in the book, […]
Rob Zombie’s very first foray into cinema is, and was, everything you’d expect a Rob Zombie feature to be. House of 1000 Corpses (2003) is somewhere between an homage to the weirdest low-budget horror of the Sixties, Seventies and Eighties that Zombie clearly loves, and a Rob Zombie promo video – heavy on the aesthetics […]
The Fantasia International Film Festival – now in its 29th year – has long since established itself as a world-beating event, and it hardly needs saying that it’s one of the real highlights of the year for genre film fans, whether those lucky enough to be in attendance or those of us watching and reviewing […]
To mark the recent Shameless Films release of Four Flies on Grey Velvet, we’re running a special feature on the film – which contains spoilers. Please watch before you read! Roberto (Michael Brandon) is a young musician; things should be good, but he’s… nervous. As he has been moving around in the city lately, he […]
After reviewing their latest feature, Redux Redux, it was great to get to catch up with directors The McManus brothers – Kevin and Matthew. I’ve been very interested to see where they would go next after their first horror feature, The Block Island Sound, hit Fantasia Fest a few years ago. Since then, there’s been […]
A lot of independent films find their way to Warped Perspective, and now and again, one arrives which makes a bigger impact than many of the others – be that for its originality, its ambition, or its earnest levels of nastiness. Cara is one such film, noteworthy for the way it’s steeped in a deeply […]
Another year, another bunch of comments about how this year’s been a terrible one for decent horror titles. To be fair, the quantity of those comments appears to be substantially smaller than the pile of posts which bemoaned 2023’s genre output. Narrowing the field down to ten proved, as ever, exceptionally difficult because there’s been […]
Everyone likes a bit of data and, as a change, I thought it would be interesting to check in with the most popular posts on the site this year. It’s often interesting to keep half an eye on this – not least because, on occasion, it can be quite surprising – but I’ve not been […]
Insert preamble here… Well, here we are again. As Warped Perspective is about to enter its tenth year – and that coming off the back of the old Brutal as Hell days, too – I’ve racked up quite a few editions of these Top Tens, and every year I search for some kind of summative […]
When we think about vampires, our expectations have inevitably been shaped by popular literature, which has in turn – for the last century – also found expression in cinema. In the nineteenth century, popular reading habits created a set of cultural expectations about vampires. The birth of horror fiction, which stemmed in turn from the […]