That’s Nasty! The Bogey Man (1980)

In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have to power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]

That’s Nasty! Absurd (1981)

In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have to power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]

That’s Nasty! Axe (1974)

In 1983, the Director Of Public Prosecutions published its first list of movies which were tagged with the tabloid-friendly label of Video Nasties. These cinematic outliers were deemed to have the power to deprave and corrupt and, if the title in question had been successfully prosecuted under the Obscene Publications Act of 1959, any dealer […]

Celluloid Screams Presents: A Nightmare on Elm Street Marathon

One night. One cinema. Six movies. Are you ready for Freddy? That was the more than tempting carrot dangled in front of hungry horror fans by Sheffield horror festival Celluloid Screams, here breaking out of its extended weekend format to bring one of several events it will be holding this year outside of the main […]

The “Sam Neill Goes Batshit” Trilogy: Why Omen III, In the Mouth of Madness and Event Horizon Define 90s Horror

By guest contributor Adam Page I want to start by addressing something that may seem like a ludicrous claim on its surface. I want to argue that Sam Neill, the charming New Zealander who played Alan Grant in Jurassic Park and whose default facial expression is a sort of warm, self-deprecating amusement, is arguably the […]

“They just don’t know when to stop”: Sinners (2025) and Beloved

Editor’s note: please be aware that this special feature discusses Sinners and Beloved in detail, so be mindful of potential spoilers. Perhaps, on first pass, it might not feel like the most obvious move to write about both Ryan Cooglan’s smash hit horror Sinners and the more oblique, though no less devastating horrors of Toni […]

In The Mouth of Madness: Where Fiction Bleeds

By guest contributor Adam Page Let’s talk about dread. That particular kind which doesn’t make a fuss slamming doors or leaping out from closets. This one seeps. A feeling you get rereading the fine print on a contract you’ve already signed. That sense, creeping up your spine at 2am when you realise the map you’re […]

Why The Wicker Man was Christopher Lee’s Greatest Role

By guest contributor Adam Page There is a very particular type of genius which gets buried alive by success, and Christopher Lee probably knew this better than most. For decades, if we thought of Christopher Lee, we thought of a cape, a set of fangs, and two puncture wounds on a trembling ingenue’s neck. Dracula. […]

The Last Thing He Saw Was Everything: X: The Man with the X-Ray Eyes and the Lovecraftian Abyss

By guest contributor Adam Page There is a certain kind of dread, and it’s one that has nothing to do with jump scares or monsters or chainsaws. It doesn’t announce itself; it quietly seeps in, until suddenly things are very wrong. Roger Corman knew this in 1963, probably by accident, the way most great things […]

Warped Perspective turns 10!

Hard as it is to believe, today marks ten whole years since the very first post from Warped Perspective! By anyone’s reckoning, that’s a good stint: Warped Perspective was also a relaunch, following the closure of the earlier, US-based Brutal as Hell (which was founded by Marc Patterson back in 2009). So that’s a decade […]

Double Feature: Pearl (2022) and Maxxxine (2025)

By guest contributor Chris Ward So here we have two parts of a trilogy originally released during the past three-or-four years getting a boutique 4K UHD re-release by Second Sight Films, and why not, because Second Sight have also put out the bulk of the director’s back-catalogue in a similarly lavish fashion over the past […]