Films like Recluse (2026) come along so rarely: with meticulous handling and careful control of atmosphere, it weaves something quite extraordinary out of what, on paper, sounds recognisable. We begin with a painter, a renowned ‘tortured artist’ type, Lawrence Wyatt, working in his fracturing, but still comfortable family home. He is putting the finishing touches […]
We hear a link between music, chaos and quantum theory being suggested as Turn It Up! (2026) gets underway: someone is explaining to us, via a voiceover of sorts, that just the right kind of noise could, quite literally, open (interdimensional) doors. This is just before – in a fun, pace-setting title sequence – we […]
A vehicle races off through the Saudi desert, leaving a young woman dead in the dunes. That’s our opening to Unidentified (2025) – a film which is intriguing due to its background (directed by the first female Saudi filmmaker, Haifaa Al-Mansour), but also a nicely-paced and structured crime thriller, even if for some audiences it […]