The Passenger (2021)

The blurb for The Passenger – or La pasajera, to give it its original title – doesn’t give too much away; going from this to an opening scene which seems to point to a different genre of horror altogether, the film we actually get turns out to be quite a pleasant, unpleasant surprise. The Passenger […]

Studio 666 (2022)

The (alleged) relationship between heavy metal and pure, unadulterated evil has given rise to some great horror movies down through the decades, and the best of these have been able to marry a sense of humour with their often fairly grisly content. When it comes to this humour, it’s also important that the film laughs […]

Interview: Sophie & Dan of Sketchbook Pictures

Whilst it’s usual to get screeners for feature-length projects arriving in the site inbox, it’s less usual to get screeners for short films, so it was great to hear from the UK-based Sketchbook Pictures a couple of weeks ago: Sketchbook has (thus far anyway) exclusively worked in short film – a medium which Warped Perspective […]

NYIÞ ‘᛬ᚢᛁᛋᚿᛁ•ᚼᛆᛏᛁ•ᚼᚱᛅ᛬’ (2022)

Icelandic band NYIÞ are not particularly forthcoming when it comes to publicity. Very little is known about them, and you often need to look to other artists to get even the barest amount of information about them, but it’s clear that – inside Iceland and beyond – they have a small but dedicated group of […]

The Thing That Ate The Birds (2021)

It’s always promising when a horror short film gives itself a title as straight up and out there as ‘The Thing That Ate The Birds‘, and accordingly, this film certainly doesn’t disappoint. It packs a lot more into its eleven-minute running time that a Thing which Eats Birds though, so whilst you get what it […]

The Sadness (2021)

There has inevitably been a surge in ‘lockdown horrors’ over the past couple of years. It’s a fairly broad church, with some of these films simply being made under lockdown conditions, whilst others directly address the threat of novel viruses – but nearly every one of these films has directly or indirectly addressed the things […]

The Sound of Scars (2022)

There’s been a run of very good music documentaries lately. This has been facilitated by the likes of Netflix and Amazon, ever hungry for new content, but regardless of the means, the best of these have been about bands with careers and fan bases of a certain vintage, making them commensurate with enough highs, lows […]

‘Thrills & Chills’ short films at NFFTY

Interested in promoting or otherwise supporting filmmakers who are aged 24 or under? You really should be: it’s a jungle out there, and we need that emerging talent coming through. With that in mind – it’s been one of their core aims since their inception – The National Film Festival for Talented Youth is about […]

The Northman (2022)

Is it too soon to talk about go-to themes and styles where director Robert Eggers is concerned? He has, after all, only made three features to date; who knows, he could head somewhere very different next time he works. A comedy musical perhaps. But, let’s indulge ourselves here and look at what he does seem […]

Virus: 32 (2022)

Funny how it’s turned out, but zombie horror has been with us so long and appeared so often now, that it all feels oddly comforting. For the most part, tropes which are maddening from other genres seem more than acceptable when there are zombies in tow: it doesn’t even really seem to matter that much […]