Cinepocalypse 2018 Review: Gags (2018)

If I’ve learned one thing from all my years following contemporary horror cinema (listen to me, making it sound like a tour of duty), it’s that you should never write off any one subgenre or motif. Every time you’re certain that something’s been done to death, along comes a new movie which, against all odds, […]

Cinepocalypse 2018 Review: Wolfman’s Got Nards (2018)

The Monster Squad holds a distinctive and relatively unique position in horror fandom. Released in 1987 back when it was still pretty early days for the PG-13 certificate, it was a box office bomb, and neither its director nor the bulk of its cast went on to do much of note. However, as with a […]

Hereditary (2018)

As we’ve seen countless times, the weight of expectation can be an ambiguous gift to a film, but it’s fair to say that few recent horrors have enjoyed such a steadily-building sense of anticipation as Hereditary (2018), which has been running tantalising trailers for the past few months. For one thing, the return of Toni […]

Night of the Virgin (2016)

Midnight movie horror often strikes a similar chord to the sex comedy genre – bawdy humour and titillation, deliberate distastefulness – and yet, I struggle to think of any movies which have combined the two formats in quite the same way as Night of the Virgin (AKA La Noche Del Virgen). The first feature from […]

Director’s Cut (2016)

Horror has always been a heavily self-referential genre. It’s often suggested that Scream started this trend, but that’s patently untrue; go back decades and you can find no shortage of horror movies which openly point out and play with genre conventions, as well as directly addressing the audience in a fourth-wall breaking manner. The digital […]

Sequence Break (2017)

It’s a curious twist of fate/scheduling that writer-director Graham Skipper’s arcade game-themed horror should land on streaming platform Shudder in the same week that David Cronenberg’s eXistenZ gets its UK Blu-ray release. The Canadian body horror pioneer’s 1999 film would seem a likely influence on Sequence Break, given the gaming angle and the emphasis on […]

Deadpool 2 (2018)

It feels a bit weird and inherently dishonest to discuss any studio-backed superhero movie in terms of being a ‘surprise hit,’ yet this is how 2016’s Deadpool is generally regarded. Though being officially part of the X-Men franchise and sporting a whopping budget ($58 million may be low by modern blockbuster standards, but it’s still […]

She Came From the Woods (2017): Interview with Director Erik Bloomquist

We receive quite a lot of short films overall at the site, and it’s always fun seeing what kind of a calling-card filmmakers have on offer: better still is when films channel formative horror and nostalgia along the way, which is the case with She Came From The Woods (2017). We took a look at […]