By Matt Harries We often exclaim, or hear others exclaim, ‘They don’t make ‘em like that any more!’ Call it sentimentality, rose-tinted spectacles, or plain old nostalgia; whatever you call it, the audience for stories refracted through the lens of retro-appreciation is huge these days. Listing various works of the small or big screen that […]
By Matt Harries Nowadays there is a kind of movement or at least prevailing school of thought that seems to be infusing through certain echelons of horror filmmaking. A school of thought that would prefer to see the genre transcend its lowly place as a parade of predictable distractions, to instead be regarded as the […]
Hill House and Beyond By Guest Contributor Matt Harries For the first part of Matt’s special feature on Mike Flanagan, click here. For Keri’s feature on The Haunting of Hill House, click here. ‘What struck me the most is that I think grief is such a universal experience that when we were in the writers’ […]
By Matt Harries Roky Erickson’s passing on May 31st rightly saw a wave of recognition from those touched by his life and works. Musicians especially have been quick to acknowledge the influence of his band, The 13th Floor Elevators, as progenitors of psychedelic and garage rock, as well as Erickson himself as a shining example […]
These days, the horror genre can only be rendered palatable to select members of society by suggesting that the horror they enjoy is, in some hard to define ways, ‘elevated’ beyond the confines of mere horror cinema. It’s a curious impulse, but it speaks to the way in which the horror genre still has the […]
By guest contributor Matt Harries Back in 1979, the late John Hurt almost certainly had no inkling whatsoever of his coming place within cinematic history. In this brief role among many in a storied career, he acted out one of the silver screen’s most iconic deaths. The gruesome demise of Executive Officer Kane of the […]
Now, far be it for us to make assumptions about the kinds of folks who visit this website, but it doesn’t seem like too much of a leap to imagine that some of you might like to imbibe a cool beer as you watch your movies, be these brand new movies or the stone cold […]
It’s been nearly fifteen years since Dans ma Peau (2004) was released, duly taking its place in the canon of New French Extremity, and garnering a great deal of justifiable praise for its transgressive nature and clarity of vision. These features alone – both the film’s age and its reputation – give us good enough […]
2018’s as good as over, so it’s end of year review time. Having gone through this old routine a good few times already, Warped Perspective’s editors Ben Bussey and Keri O’Shea decided to take a different approach this year and get together for a virtual discussion of their favourite films of the year; and for […]
It’s no secret that we at Warped Perspective are good friends of Abertoir, the international horror festival of Wales, which is now celebrating its 13th consecutive year – and it pains both my co-editor Keri and myself that neither of us are able to make it this year, particularly now that they’ve released their full […]
I’ll try to keep this as simple and concise as I can (not an easy task given my curse of verbal diarrhoea), for this is less an opinion piece than an outright demand: we, the British people – and yes, I do feel comfortable in presenting both myself and Warped Perspective co-editor Keri O’Shea as […]