Inoperable (2017)

The last time I saw Danielle Harris run around a hospital looking anxious for 90-odd minutes, it was in 2014’s See No Evil 2, an utterly bland and formulaic slasher sequel. However, while new release Inoperable offers up the same leading lady and a similar hospital setting, story-wise it’s a somewhat different kettle of fish. […]

Strawberry Flavored Plastic (2018)

The ‘mockumentary’ format has been used to interesting effect over the years; note that I said ‘mockumentary’ rather than ‘found footage’, a sub-genre which usually conjures more questions than it can ever answer. There are some important distinctions between the two. Strawberry Flavored Plastic dodges the most typical question asked during found footage, which is […]

Tokyo Ghoul (2017)

Tokyo Ghoul is a film based on a very popular anime and manga, and though I have since started on the anime, when I saw the film I knew very little about the series other than the brief synopsis. Bear that in mind then, when I say I enjoyed the film a great deal – […]

Harold Buttleman: Daredevil Stuntman (2003)

John Hawkes is a pretty fascinating figure in film. For many years, he was most likely to be known for his brief appearance as the liquor store guy in the first scene of From Dusk Till Dawn; or, if you’re a real Robert Rodriguez completist, for his scene-stealing supporting turn in Roadracers. However, more recent […]

Radius (2017)

Going into a film with no foreknowledge beyond the fact that it’s from the producers of Turbo Kid, one might be forgiven for not expecting anything too serious-minded. However, this film is an altogether different breed of Canadian sci-fi horror. Written and directed by Caroline Labrèche and Steeve Léonard, Radius is a compelling and inventive […]

Defective (2017)

This must be a boom time for dystopian sci-fi and horror; I cannot imagine why. Over the past few months I’ve received either information about upcoming projects or screener links for a range of dystopian cinema, whether films about worlds poisoned by tech, gripped by environmental havoc, or somewhere between the two. God knows, I […]

Canaries (2017)

I have a confession to make. When I first heard about Canaries, from its UK premiere selection at London’s FrightFest, I was worried. Whenever a Welsh genre film comes along I always get a twinge of panic, of an intense desire for the film to be brilliant, good patriot that I am, and the unnerving […]

Showdown in Manila (2016)

I don’t always jump at the chance to see the latest low-budget action movie. There have been a whole lot of cheap-looking, DV-shot beat-’em-up/shoot-’em-up flicks in recent years, most going direct to home entertainment, and most falling way short of the adrenaline-fuelled entertainment of years gone by. However, in the case of Showdown in Manila, […]

Rabbit (2017)

It’s comparatively rare these days to go into a film viewing with no idea of what to expect, so often your best chance at this is to gain access to an online screener – particularly if these screeners come via film festivals which, for good or ill, have a fairly selective audience until such time […]

Three Billboards Outside Ebbing, Missouri (2017)

When a new movie arrives in a haze of awards season fever, it can be hard to know what to expect. So many films seem specifically designed to pick up the coveted film industry gongs (Gary Oldman in a fat suit playing Churchill, anyone?) However, Three Billboards Outside Ebbing, Missouri might have plenty of that […]

Star Wars: The Last Jedi (2017)

I’ve gone back and forth over whether or not this is a review I should really be publishing here at Warped Perspective. Having grown out of Brutal As Hell, a site focused primarily on cult/indie horror, we’ve never been one to cover every major blockbuster that comes along; and blockbusters don’t come much bigger than […]