Horror cinema teaches us many things including caution and recently, there have been more than a few lessons about the dangers of going up into the mountains – and not just for the usual reasons, such as (mainly) the risk of falling to your death from a great height. In Confession (2024) (aka Kokuhaku Confession), […]
Dre (Katy O’Brian) is an event organiser, DJ and general fixer at Bushwick’s Yum club, which is all set to bring in the punters with a drag show featuring top notch headliner Yasmine (Dominique Jackson). However, the draw of a more lucrative gig for Glitter Bitch Vodka has Yasmine heading for the hills – well, […]
Whilst director Julia Ducournau has made just three features to date (taking roughly a decade to do so), it’s a case of quality over quantity. Any minor quibbles with her work aside, the films she’s produced so far have offered intriguing takes on what could, in other hands, be quite simplistic body horrors. But in […]
Deathstalker (2025) is, by design, completely ridiculous. It’s also a film which, if it weren’t ridiculous, would be a disappointment. Both an amalgam and an homage to the original Deathstalker trilogy of the 1980s (produced by Roger Corman), it’s respectful to the original low-budget fantasy madness of the originals, whilst coming smack bang up to […]
Asher (Steve Kasan) is having a pretty bleak time. He’s out of work, struggling to pay even his phone bill and sleeping out of his car. In many respects, the art of super innovative indie flick Head Like a Hole is in how it takes and tweaks an economic situation which will be recognisable to […]
Australian apocalypse cinema has turned up some excellent examples over the past decade or so; that’s even without naming a certain franchise, itself named for a certain seminal character, which re-emerged in 2015. These Final Hours (2013) – which I now realise I reviewed a decade ago at the same festival – places modern Australia […]
In the history of Ghost Stories for Christmas – at least of the most familiar, British and televised variety – M R James is the author who has tended to be most strongly represented. Which is fine, and fitting; Jamesian horror, with its subtleties and horrors intruding onto the ordered lives of (almost invariably) British […]
After the notable outlier that is London’s FrightFest, the autumn is when a large share of the UK’s horror and genre film festivals tend to get going. And, in its usual late October slot, Sheffield-based fest Celluloid Screams has recently announced its full 2025 programme, with weekend passes about to go on sale (midday on […]
I had a strange sense of deja-vu several times when watching Robert Morgan’s first feature-length film, and the first of these is because I can never remember who anyone is or what they’ve done. So, when I first glimpsed Morgan’s very distinctive stop-motion style during the opening moments of this feature, I realised that I […]
Note: unusually for the site this review contains mild spoilers – words failed me else – so read on with caution. On first consideration, Julia Ducournau’s new film, Titane (2021) is quite unlike Raw (2016), her last feature and, for most people, the most familiar point of comparison. To put it mildly, Titane is an […]
There no other obvious way to start this review than by saying: Lamb is an odd one. Beautiful; sure. Evocative; yes. However, it only tantalises at the mythology or events which underpin the narrative, and as such the world it offers is a partial one. How forgiving you are of this will depend on how […]