Perhaps ‘enjoyable’ isn’t a perfect word for this, but it’ll have to do – because it’s genuinely enjoyable to find a piece of unsettling supernatural horror like Never After Dark (2026), even if the film pulls away somewhat from pure supernatural horror in its final act. Nonetheless, it clearly knows how to scare, and director […]
Allow me to introduce the most recent book on the Warped Perspective print roster! Periphery is a collection of supernatural fiction, themed around the profound impact which landscape and place can have on us. Whilst this ostensibly reads like ‘folk horror’, and indeed many of the stories could be classed as part of that estimable […]
A dog lies sleeping the sleep of the righteous before being awoken by …something. It could be the mobile phone buzzing away on the arm of the chair – or it could be something far more ominous. Todd, the human at Indy’s side, is unconscious and unresponsive. The room seems odd, too – there’s weird […]
In the history of Ghost Stories for Christmas – at least of the most familiar, British and televised variety – M R James is the author who has tended to be most strongly represented. Which is fine, and fitting; Jamesian horror, with its subtleties and horrors intruding onto the ordered lives of (almost invariably) British […]
We have an unusual and specific start point in Traumatika (2024): Egypt, 1910. A man crosses a stretch of desert, clutching something he clearly wants to bury and forget, as he’s haunted by visions of his deceased son. This death – this murder – is linked to the object he’s carrying, a statuette of a […]
Hello! Warped Perspective has had a short summer vacation, as I’ve been lucky enough to spend some time travelling in Norway, but we’re now back with some great upcoming titles (both short films and features) and – another great competition courtesy of the good folks at Fetch. We have one copy of the upcoming 4K […]
The key event in Burning (2024) is revealed to the audience in the opening moments: a house is on fire in a small Kyrgyzstani town, and we arrive just as the fire brigade also arrives. In the aftermath of the blaze, a group of neighbours meet up with one another in a local shop, where […]
1892. California. It’s then and there we find novelist Emma Strand (Scottie Thompson) holidaying with artist husband Albert (Connor Paolo) and doing their best to enjoy a day on the beach when they meet George Ford (Jilon VanOver) and his wife Lillian (Vivian Kerr). After a mannered and somewhat awkward chat, the four end up […]
In a way similar to Suspiria (2018), the laboured breathing of a dying woman plays across the opening moments of The Undertone (2025): this film is an aural nightmare and no mistake, starting straight away and keeping up that relentless sensory overload throughout. In a house full of photos and other keepsakes, a young woman […]
In the opening scenes of Ba (2024), the presence of a strange, hooded figure making its way into a hospital ward is clearly, strongly reminiscent of Grim Reaper folklore. It’s a fair first impression, borne out by what follows – but in its own mythology-building and the careful ways it humanises its main characters, Ba […]
Making good use of its drone shots – as many films do – Oddity (2024) opens on a remote, grand old house in rural Ireland which is being renovated by a woman named Dani (Carolyn Bracken). It’s one of those houses which no one you know ever lives in – all open plan, stone walls, […]