Microbudget slasher movies from unknown filmmakers have always been ten-a-penny, and in the DV age they’re arguably all the more innumerable. Adding a recognised genre star always goes a long way to lifting such a film above the quagmire. Also, it never hurts to set your film on an annual holiday; all being well it […]
The legacy of Catholicism in French and Belgian left-field cinema seems to mean a strange predilection for Christian themes, although it finds its form in curious ways. In recent years we’ve had Calvaire, made in 2004 (retitled ‘The Ordeal’ for English audiences, which neatly strips it of its Biblical meaning), the Christmas creation horrors of […]
Sigh – yet another Friday the 13th comes around, yet for the eighth bloody year in a row we still don’t have another Friday the 13th movie. Okay, I’ll accept that perhaps not all readers will be as bummed about that as I am, but I also know that I’m not alone in missing the […]
Movies in which East meets West have always been a somewhat tricky proposition. Historically, representations of Asians in American (and, for that matter, British/European) films and television have tended to hinge on stereotypes; generally either the impeccably wise asexual Kung Fu master, or “Miss-a Gorightry, I plotest.” The 1970s, being of course the most progressive […]
It’s interesting how accounts of the later years of Hammer Films can vary according to the tastes of the writer. Some will sigh in resignation at how the once great company lost its way as the times changed; others, such as myself whose early horror education largely consisted of films from that era, look back […]
To present yet further evidence why reviewing new horror movies is frequently a lot less fun than you’d hope: it’s hard to keep track of the number of small scale domestic productions ostensibly carrying on the British tradition of homely Gothic horror, and every time we go in hoping they’ll do justice to the legacy […]
Honestly, I’m the sort of reviewer who thinks that the vast majority of slashers (and many gialli) are better enjoyed as still images than films – being largely an array of stylish, bloody set pieces only loosely linked by some sort of plot – so watching Sergio Martino’s crossover film Torso was an opportunity for […]
I’m not generally comfortable making big sweeping statements about newly released movies. You never know for sure what a film’s legacy is going to be, and whether or not it will really be remembered as time passes. However, in the case of Blade Runner 2049, I feel surprisingly confident in declaring that, in years to […]
The words ‘from the writer of Beetlejuice and The Nightmare Before Christmas’ conjure certain mental images; you’re left picturing something that resembles… well… a Tim Burton film. However, Cold Moon – an adaptation of the late Michael McDowell’s 1980 novel Cold Moon over Babylon – is an altogether different kettle of fish, brought to life […]
Bob’s Burgers is the quintessential struggling family show. You got a mom, a dad, and 2.5 kids working together to keep their struggling burger joint afloat amidst money woes and wacky happenings. Each character is a caricature of various family member archetypes almost anyone might have in their household, from the boy-crazy teeny bopper to […]
1970s cinema has many noteworthy qualities, but amongst these, the decade is certainly remarkable for its brief, but intriguing phase of imagining animals ‘going rogue’ and attacking humans; some of the resulting films were breakthrough hits, such as Jaws (1975), whereas some, such as Day of the Animals (1977) would be long-lost to obscurity if […]