What is going on here? This is a question which Screwdriver (2023) poses early, but cannot answer in a meaningful way throughout its ninety-minute (or so) runtime. Lost in a maze of hard-to-follow, harder-to-engage dialogue, with a limited cast, set and – most detrimentally to the film overall – characterisation, it feels far longer than […]
Are we sitting comfortably? Then I’ll begin. Lady Terminator opens with The Queen Of The South Sea, an all-powerful sex goddess, luring some poor unfortunate into her boudoir and devouring the bloke’s penis with her vagina dwelling serpent – just out of shot – in a slice of horror erotica that’s neither horrific nor erotic. […]
Welcome to a world in which zombies roam. What, another one? Yes, but this time there’s a major difference. These folks are not driven by the desire to chow down on human flesh. In fact, uttering the z-word has become something of a societal taboo, with campaigners pushing hard for the rights of the country’s […]
US Border Patrol Agent Angel Waters (Roberto Urbina) heads to the scene of what looks like a crossing gone tragically wrong, discovering what he believes to be the watery Rio Grande grave of a mystery man. Almost immediately, things go south as the corpse suddenly turns out to be very much alive, then very much […]
Whilst the rolling montage of deaths and planned deaths running over the opening credits of The Killer (2023) might promise a piece of ultraviolence to follow, this is instead an often quiet – unbearably quiet – and introspective film, which is utterly carried by Michael Fassbender’s magnetic, if ice-cold performance. As Fassbender’s many-named but ultimately […]
Cliff Twemlow’s life, even if you happen to be as-yet unfamiliar with him, is definitely a life worth examining. Even if you haven’t yet availed yourself of any of his films (and I hadn’t until comparatively recently) then Mancunian Man will almost certainly grant you curiosity about his acting career. But, there’s a lot more […]
Bangladeshi horror cinema is all but unknown to me, so the chance to see a Bangladeshi anthology film was too good to pass up. Pett Kata Shaw (2023) contains four distinct stories – in fact, these are compiled together here after a four-part TV series, meaning there isn’t really an overarching framing narrative, and as […]
“Why don’t people learn from their mistakes?” An elderly woman speaks those words at the beginning of Palimpsest (2022), and it’s a question which shapes the film which follows as we unfold a gentle, sometimes whimsical and sometimes moving story all about the ‘What ifs?’ Back to the lady who opens proceedings: she’s busy pondering […]
Ooh, this is a bleak film. I mean, really, really bleak. Once you think you’ve got through all the different layers of bleakness, there’s more down there to enjoy. When Evil Lurks (2023) certainly doesn’t misrepresent itself with that title; it’s chock-full of lurking evil. And dirty, bloody, grotty evil, too – none of this […]
As Halloween approaches, we might find ourselves wondering how a Celtic winter festival with all its attendant beliefs in the ‘thinning veil’ and the temporary proximity of the dead has managed to hang on through thousands of years of Christianity, but hey – it’s a moveable feast. Depending on where you stand, it’s anywhere from: […]
I had a strange sense of deja-vu several times when watching Robert Morgan’s first feature-length film, and the first of these is because I can never remember who anyone is or what they’ve done. So, when I first glimpsed Morgan’s very distinctive stop-motion style during the opening moments of this feature, I realised that I […]