By Gabby Foor and Keri O’Shea We are rounding off our coverage of Fantasia for this year with another block of short films; this time, the uniting factor is that all of these films were directed by a female director. There’s no one genre uniting these films per se, although there do seem to be […]
By Gabby Foor and Keri O’Shea We were delighted to be offered Fantasia’s short film blocks for coverage again this year. Small Gauge Trauma, the festival’s genre short film collection, is a great way to spot upcoming talent, clever homage, brand-new ideas and ingenious storytelling. As ever, the range has been incredible, with everything from […]
We know something’s up as #BOSSBABE gets underway: not only are we at a funeral, but we’re at a very glam funeral, one which could almost be a photoshoot, if not for the sales talk colouring the eulogy. This eulogy – which refers to the entrepreneurial genius of the deceased, marking her out as a […]
New Life (2023) opens in medias res: a bloodied, panicked young woman makes her way along a street, clearly fearful of being seen or stopped. She heads home, cleans herself up – but her safety and her memories of this place soon get left behind, and she’s moving again. It’s immediately clear that an old […]
Review by Darren Gaskell When directionless Taka (Sho Mineo) receives a mysterious tape containing details as to the whereabouts of his hitherto missing archaeologist brother Mune (So Yamanaka) he sets off on a rescue mission, which also comes complete with side quest relating to the retrieval of a wooden box. Of course, the wooden box […]
Home Invasion (2023) is not your standard style of documentary; there’s no talking heads here, no voiceover, no familiar features as such. Instead, it all unfolds via on-screen text, which displays to viewers via what looks like an aperture, representing the film’s key subject matter (or at least, key for the first hour): the home […]
Hippo (2023) isn’t a particularly easy film to sum up, much less to recommend along easily definable lines: it’s an often moody, deeply eclectic, art-house-leaning project with a storyline which is both minimal and yet…profound, at times. It doesn’t sit snugly in any one genre, it moves from vast or unpalatable topics into domestic familiarity […]
By Darren Gaskell Leaping on to the screen, Jean Kayak (Ryland Brickson Cole Tews) celebrates his successful applejack distillery in a cheerful musical number to lift the spirits, right up to the point at which a lack of vigilance due to imbibing too much product combined with some sneaky, tree-based vandalism ends with said distillery […]
The cinematic monsters made famous by Universal nearly a century ago continue to appear on our screens today, though often now imbued with much more modern symbolism; the vampire, Frankenstein’s creature (or versions of it) and of course the werewolf are used to represent current predilections, anxieties and fears. You could even say the werewolf […]
A crisis of belief besets a West African village in Mami Wata, as corruption and greed sweep in behind it. A dark, often cruel story unfolds, painting a devastating picture of the repercussions of change. The film does this without being overly simplistic, and it does it without any chiding, even if its message is […]
The Fantasia International Film Festival is a genuine delight and a highlight in the Warped Perspective year; its organisers definitely have the gift when it comes to selecting intrepid cinema from around the world. If anything, it can be a little intimidating to scroll through the selections: there’s enough there to keep a film fan […]