Mayhem Film Festival: The Gangster, The Cop, The Devil (2019)

There’s a brutal serial killer on the loose in South Korea. His modus operandi is quite simple: by faking a collision with another vehicle on a deserted road, he encourages the aggrieved party to get out of their car: when they do so, he waits for them to get distracted, then stabs them to death. […]

Joker (2019)

Remember the seventies and eighties, when regular moral panics about popular films, music, television shows and finally, videos were the thing? When the Tipper Gores and Mary Whitehouses of this world would insist, without a scrap of real evidence, that various media were responsible for acts of moral depravity and horrific violence? This argument has emerged […]

Mayhem Film Festival: Color Out of Space (2019)

It’s a sad fact that director Richard Stanley is as well known for not making films as he is for making them; since the debacle surrounding The Island of Doctor Moreau in the mid nineties Stanley hasn’t made a creative feature-length film, and given the quality of his earlier projects such as Hardware, this can […]

Mayhem Film Festival: Daniel Isn’t Real (2019)

Daniel Isn’t Real was introduced as ‘a cross between Drop Dead Fred and Hellraiser’; if you are immediately wondering how that could ever play out, then rest assured, this is as good an approximation as you are likely to get. This film is incredibly dark throughout, threaded through with ambiguities which grow the more you […]

Mayhem Film Festival: Extra Ordinary (2019)

As the point has been made several times before on this site, horror comedy can be a risky venture; when it goes wrong, it can be either not that funny, nor really capable of showing any love for the horror genre either. Happily, neither of these charges can be levelled at Extra Ordinary. The film […]

3 From Hell (2019)

After the Firefly family got caught in a hail of bullets at the end of their little road trip in The Devil’s Rejects, I don’t think anyone really foresaw a sequel. But it turns out these characters have a life of their own now that defies expectations: House of 1000 Corpses and Devil’s Rejects are […]

Groupers (2019)

It seems that gone are the days when social commentary in cinema happened as a matter of chance; more and more, in our hyper-aware times, filmmakers actively tackle hot topics such as attitudes to sexuality, race or class – it’s there from the start, right from the beginning of the writing process. So when I […]

Raindance 2019: Friedkin Uncut (2018)

By Matt Harries Despite professing to not be a political film maker, William Friedkin demonstrated his social conscience at the very beginning of his directorial career. The People Vs Paul Crump was Friedkin’s 1962 debut and follows the story of the titular Crump, sentenced to death by electric chair for his part in a bungled […]

Raindance 2019: Dark, Almost Night (2019)

Winter in Poland. A woman is taking the train from Warsaw back to her dilapidated home town, a part of the world evidently undergoing a spate of child disappearances, given the newspapers and news bulletins we soon encounter. This is Alicja (Magdalena Cielecka), a journalist, who has chosen to return to her old home in […]