When I read some of the blurb for Imperial Blue and saw that its story revolved around drug use, I expected to get one of two things: either a brutal crime drama, where cartel is pitched against cartel, or else a surreal, even overblown imagining of substance abuse on-screen. In truth, Imperial Blue contains some […]
By Helen Creighton At first glance, Certain Kind of Silence has the whiff of a certain kind of Stepford: vague parallels could be drawn between the classic 70s sci-fi The Stepford Wives and Czech director Michal Hogenauer’s tale of a young au pair slowly but inexorably drawn into an oppressive cult environment against her better […]
Tatsumi is a troubled young man. He doesn’t know what he wants to do with his life, and we first meet him at an abortive encounter with a careers guidance officer which sees him, exasperatedly, told to go back to his parents. Yet he doesn’t ask for their advice, either: instead, he withdraws from the […]
Chloe (Lexy Kolker) isn’t allowed to play outside. Her front door is barricaded and sealed; every window is covered and she is under strict instructions not to ever, ever attempt to go outside. The world is a terrifying place, her paranoid father (Emile Hirsch) keeps on telling her. But Chloe has no sense of this […]
It’s been close to six years since I reviewed director Lawrie Brewster’s second feature film, the cryptozoological horror Lord of Tears; at the time, I was impressed with the film’s imagination and its sense of a reverence for classic horror fare, but found it a sometimes muddled film in which certain sequences should have been […]
Horror films have often invoked different kinds of physical media as conduits or access points for dark forces, and given the significance of music in our culture, it’s little wonder that records have figured fairly highly over the years, particularly in decades gone past. There have been some great stories which feature records, or other […]
Have you ever sat through one of those Old Dark House style movies, where everyone speaks in RP and smokes continuously through ornate cigarette holders, and thought to yourself – this is fun, but wouldn’t it be glorious if the social niceties and subtly barbed comments gave way to something else entirely? We’ve had a […]
Of late, there seem to have been a fair few films which focus on what happens to the human body in the interim period between death and burial – in particular, the inner workings of the morgue and the postmortem examiners who are employed there. More and more, too, horror audiences are interested in looking […]
Even on first glance, something seems to be terribly wrong with the Vestalis Academy. Its premises are falling down and in disarray, save for the state-of-the-art CCTV everywhere, and although it’s ostensibly a boarding school for girls, the education they receive is all about feminine propriety; their treatment is clinical and brutal. Unless the girls […]
Here at Warped Perspective, and in our previous incarnation Brutal As Hell, we’ve long been massive enthusiasts for the weird and wonderful indie horror films of Japan. Be it the bizarre and challenging visions of director Sion Sono, the eye-popping practical FX work of Yoshihiro Nishimura, or the fearless performances of Asami, we’re used to […]
The opening scenes of Knife + Heart feel achingly familiar: how many films start with a woman in peril, running alone through the dark? Well, this is a film which doesn’t mind turning things on their head, even if the surprises are momentary. Anne (Vanessa Paradis) isn’t running from an assailant; she’s having a minor […]
