As I’ve discussed at length in the past, we really can’t overstate the impact of The Silence of the Lambs; a bona fide game changer, it blurred the lines between police procedural and horror story (not to suggest this hadn’t been done before: The Murders in the Rue Morgue, anyone?), setting the stage for the psychological […]
It’s been pleasing to see an apparent rise in films about girls and the aftermath of adolescence in the horror genre of late, with 2016’s Raw perhaps being the stand-out example. Blue My Mind is the latest, and it’s a striking and engaging film. The young woman at the centre of the film is Mia […]
In a stark opening scene, composed largely from a colour palette of black, white, and tiny amounts of red – a young woman awakens. She is in a mysterious room, has crippling injuries to her legs, and is clearly shocked and confused by her predicament. As soon as she wakes up, she’s addressed by a […]
I’m very glad that filmmakers seem to be returning to aesthetically-pleasing supernatural tales these days, rather than endless found footage or excruciating ordeal horror. You could argue that there’s plenty of space for all the above, of course, and you needn’t stick with just one genre of horror (or any other genre for that matter) […]
I feel as though I’ve been here before. Not just because there was a film called Bong of the Dead a few years ago, which my co-editor Ben reviewed, nor indeed because this very day he has reviewed another stoner horror (4:20 Massacre) but also because I’ve also reviewed a film which sounds very similar to Bong […]
This must be a boom time for dystopian sci-fi and horror; I cannot imagine why. Over the past few months I’ve received either information about upcoming projects or screener links for a range of dystopian cinema, whether films about worlds poisoned by tech, gripped by environmental havoc, or somewhere between the two. God knows, I […]
It’s comparatively rare these days to go into a film viewing with no idea of what to expect, so often your best chance at this is to gain access to an online screener – particularly if these screeners come via film festivals which, for good or ill, have a fairly selective audience until such time […]
It’s always a privilege, in these social media-saturated times, to walk into a film screening without the faintest idea of what it’s all about. As I hadn’t even looked at the Celluloid Screams programme before we sat down to watch Habit (and as I almost immediately mix up titles and synopses anyway) it definitely felt […]
Hard to believe it’s been a full decade since Grindhouse, don’t you think? Even stranger to think that a film which was deemed a box office catastrophe proved to have such a legacy, inspiring scores of low-budget filmmakers to try their hand at vintage-flavoured exploitation, to such an extent that ten years on grindhouse is […]
I’ve followed the careers of directors Justin Benson and Aaron Moorhead with interest ever since I covered their challenging and innovative feature debut, Resolution, back in 2012. I loved the way that the film combined interesting characters, plausible dialogue and a type of slow-burn horror which was quite unlike anything else I’d seen. It’s rare […]
For a great many years now, slasher movies have frequently done their best to subvert expectation, particularly when it comes to the young women who typically wind up on the end of the masked killer’s implement of choice. Why, it’s been almost 25 years since the first scene of Jason Goes To Hell pulled off […]