Let’s cut to the chase here: we’re big supporters of short film as a medium here at the site, but whether you’re a regular reader or not, surely you’d agree that the presence of short films is of tremendous benefit to any film festival. The storytelling is pared back by necessity in a short film […]
Before The Blood of the Dinosaurs gets properly started, we see a few seconds of footage where director and writer Joe Badon is chatting to one of the film’s stars, Kali Russell. So, what’s your movie about?’ she laughingly asks, before Badon turns the question back on her: ‘What do you think it’s about?’ In […]
It’s been said on the site many times before, but it’s a real shame that short films are so rarely seen outside of the festival circuit. I would certainly welcome compilations of short horror films – these could quite easily be organised by theme or subgenre – and it’s surprising that these kinds of compilations […]
At the risk of repeating myself, as I’m sure I have down through the years on the site, short films are often where it’s at in terms of promising new ideas, styles and approaches. When I watched Standing Woman as part of FrightFest’s recent short films digital package, I thought how well the film encapsulated […]
Short films are always a highlight of the film festival calendar, and as we’ve been saying on this site for years, it’s such a shame that they don’t often get seen outside of the festival circuit – with the odd exception, such as ABCs of Death. Hopes were high that this would kickstart a new […]
Short films are fun because they often make for statements of intent: whilst good short films do more than simply act as calling cards, it’s still true that the best of these show something, in terms of style and theme, of what could follow. This is certainly the case with Mr. Clean (2020), an economical […]
Anthology films – often three short tales with a common framework – are nothing new, even if the format isn’t used all that often today. We have, however, seen some interesting variations on the anthology film in recent years, perhaps most notably with The ABCs of Death in 2012, which made a minor stir and […]
We receive quite a lot of short films overall at the site, and it’s always fun seeing what kind of a calling-card filmmakers have on offer: better still is when films channel formative horror and nostalgia along the way, which is the case with She Came From The Woods (2017). We took a look at […]
We receive a lot of films for consideration at Warped Perspective, and on occasion, we receive material which seems to be quite a way outside of the usual styles and genres we typically feature. This is, of course, no bad thing, and a film we received recently marked itself out as something altogether quieter and […]
How short can you – legitimately – make a cinematic scare? There are people who would say that a second is enough, but these people are probably discussing jump-cuts. Jump-cuts aren’t scary; jump-cuts are the equivalent of someone screaming BOO! into your ear to trigger a reflex reaction. Most people need – and expect – […]
Vampirism is something monstrous, something impossible, but it’s a broad enough kind of monstrosity to mean it can be explored in a number of ways on screen. Unto Death, by director Jamie Hooper, uses the vampirism theme to explore a relationship, and how it is put under extraordinary pressure by the most extraordinary of circumstances. […]