Social satire blends with horror in Vincent Must Die (Vincent Doit Mourir), but not – at least initially – in ways your average viewer might expect. It’s a film which starts small and retains that standard of intimacy, always playing out as one man’s struggle against an unprecedented turn of events, even when those events […]
A crisis of belief besets a West African village in Mami Wata, as corruption and greed sweep in behind it. A dark, often cruel story unfolds, painting a devastating picture of the repercussions of change. The film does this without being overly simplistic, and it does it without any chiding, even if its message is […]
We get some on-screen preamble before the events of The Lair (2022) unfold before us. Locating the film in conflict-ridden Afghanistan in 2017, we’re told that a US bomb strike on a certain province, intended to destroy an insurgent stronghold, occurred after alleged ‘disturbing activity’ in the area. So there we have it: we’re going […]
The Fantasia International Film Festival is a genuine delight and a highlight in the Warped Perspective year; its organisers definitely have the gift when it comes to selecting intrepid cinema from around the world. If anything, it can be a little intimidating to scroll through the selections: there’s enough there to keep a film fan […]
By guest contributor Darren Gaskell Following an energy-sapping battle against an evil giant turtle, five superheroes known as the Tobacco Force are instructed by Didier, their chief, to head for a rural retreat in order to work on their cohesion as a team. Soon after they reach their swanky recovery pad, bickering and uncertainty among […]
As dystopia has become established as a genre, it’s become the case that the futures it explores have wound up with a few similarities. There’s no mystique about this; dystopia amplifies and extends our fears about the world we currently live in, so environmental angst, fear of political corruption, conspiracy, loss of selfhood – all […]
With on-screen text which tells us that events in the film genuinely took place in Brisbane, Australia in 1997, Bliss of Evil avowedly sets itself up as something other than the more typical supernatural set-up we often get when music – particularly rock music – is concerned. And indeed, the opening scene is very grisly, […]
You know that bit at the start of There Will Be Blood (2007), where a silent, grizzled man is digging into the earth – eventually striking oil? Okay, good. Now, let’s shift things to WWII-era Finland; here’s another grizzled, silent prospector, wandering the landscape alone – only this guy is looking for gold, not oil, […]
Sight Extended (2023) starts out looking like a space-set sci-fi; it’s only when you look closer that you realise you’re looking at a much more familiar, convex shape – a lens, specially-adapted to allow a person to access all of their push notifications, calls, maps, you name it, with a mere, literal blink of an […]
Invoking Yell (2023) is clearly a film that likes to layer its influences, giving us a grab-bag of themes and styles. These chiefly being: found footage; 90s-style analogue cameras; the EVP phenomenon and the film’s biggest, boldest theme – 90s black metal. By way of some on-screen text at the start, the film explains that, […]
Roadkill (2022) has the good sense to let its outback shooting location figure highly throughout its running time, almost making the hostile environment one of its one of its core characters. In fact, it makes more sense as a character than some of the actual characters on offer. The film overstretches itself in its plot […]