Lords of Chaos (2018)

Whatever way you look at it, Michael Moynihan and Didrik Søderlind’s book Lords of Chaos: The Bloody Rise of the Satanic Metal Underground has been responsible for some serious myth-building in metal circles, not least in the minds of many of those involved in the spate of arson and violence which enveloped the emergent underground […]

Siberia (2018)

You have to hand it to Keanu Reeves. He may have been a huge star ever since breaking through as one half of the affable, dim-witted metalhead duo in Bill & Ted’s Excellent Adventure a full three decades ago, yet for the longest time he was widely deemed impossible to take seriously as a dramatic […]

I Think We’re Alone Now (2018)

Whilst for many of us post-apocalyptic narratives may be synonymous with zombies and/or marauding biker gangs in extravagant costumes, pare it back and they typically come down to the same key idea: being the last person alive in a world that is no more. From Robert Neville of Richard Matheson’s I Am Legend, to Max […]

One Cut of the Dead (2017)

Here at Warped Perspective, and in our previous incarnation Brutal As Hell, we’ve long been massive enthusiasts for the weird and wonderful indie horror films of Japan. Be it the bizarre and challenging visions of director Sion Sono, the eye-popping practical FX work of Yoshihiro Nishimura, or the fearless performances of Asami, we’re used to […]

Bleeding Steel (2017)

Recent months have been a busy time for Jackie Chan fans, or at least it feels that way around these parts, as we’ve had a slew of the Hong Kong action superstar’s hits released to Blu-ray in the UK (Police Story and Police Story 2, Project A and Project A Part 2, City Hunter). In […]

Death House (2017)

Horror fans, at their best, are a very open-minded but also fiercely loyal bunch. Make one great movie and we’ll make damn sure to see your next; make a bunch of them and we’ll show up every time. Even more so, put together a cast with a string of genre favourites to their name, and […]

Possum (2018)

Some films excel at that kind of grimy, disconcerting quality which Possum (2018) has in abundance. Every frame of this film makes your skin crawl: it’s a love letter to abandoned places and anonymous spaces, swept through with dead foliage and rot. This, in and of itself, makes the film fairly challenging viewing, even whilst […]