Following up from my recent review of Baghead (2023) – a broadly successful and often intriguing supernatural horror tale – Warped Perspective has been fortunate enough to have a chat with its director, Alberto Corredor, about his experiences working on this film, his first feature. Keri asked the questions: many thanks to Alberto, his team […]
By guest contributor Matt Rogerson The phenomenon of liminal spaces is one that traditionally exists in both Architecture and Psychology. With its beginnings in the term ‘liminality’, conceived by Arnold Van Gennep in his book Rites de Passage (1909) and determined to mean a passageway, be it from one physical location, situation, status or time […]
Late Night with the Devil is an adroit piece of work, a tribute to a time and a place but also an enjoyable and imaginative trip into fantasy, breathing new life into two tired formats – the mockumentary and the found footage phenomenon – by making them entirely engaging and, at least in terms of […]
A wounded hand disappears into nothingness as a modern, chain link fence divides us, at least initially, from an idyllic English churchyard; if Penda’s Fen (1973) can be seen as fairly recusant in its treatment of themes and narrative structure, then you could equally argue that it spells out its key themes, or at least […]
You’ve gotta love a film that straight away states its intent (and understand a film which needs to sell its merits pretty damn quickly) and Nightmare (1981) does both of these things. We’re off with a dream of a dismembered body, a shrieking nightmare, a man in a straightjacket – and the immediate need to […]
Continuing with Warped Perspective’s interviews with the directors behind ARROW Player’s recent Sharp Shorts, we asked director Joanna Tsanis about her own short film – a very brief, super-focused study of depression, grief and fear. Oh, and it’s a monster film, too. Here’s our conversation about Smile (2021). Warped Perspective: This is a very brief […]
Part of the recently-reviewed ‘Sharp Shorts’ package, Itch (2021) plays with ideas around faith, mental illness and temptation, and seemed like a project we wanted to explore a little more. Having recently reviewed the title, we were fortunate to next get the opportunity to speak to the director of Itch, Susannah Farrugia, and we’re grateful […]
On occasion, you see a film – whether a short film or a feature – and something about it stays with you afterwards. Something about the visuals, perhaps, or some ingenious touch to the plot, or its characters – or perhaps some of its hints of a universe existing on its periphery, not fully extrapolated, […]
An older title arriving to Screambox (a decade after its release), this 2014 Hungarian foreign language film that has the honor of being Hungary’s first official feature length, found footage horror movie delves into history and a true crime: one of the darkest unsolved mysteries in Finland. Bodom attempts to take us back to the […]
Editor’s note: as a follow-up to Gabby’s recent review of new age thriller Reflect, we were pleased to get the opportunity to interview Dana Kippel. Not only does Dana take a starring role in Reflect (appearing in the role of Summer), but she’s also the film’s writer and director: we were keen to ask some […]
Every year there’s always some comment about how it’s been a terrible one for horror movies, and every year I think “What have those people been watching”? The genre rarely fails to deliver terror of all types and, as usual, narrowing the field down to my favourite ten (plus five honourable mentions) has been just […]