Horrors of Spider Island (1960)

There’s a case for the poster for Horrors of Spider Island appearing under the dictionary definition of ‘exploitation film’, so perfectly does the movie encapsulate everything about the genre. On this basis, the only surprise about the new Severin blu-ray is why it has taken the label so long to release it, as perfect a […]

“The trade-offs we make to be part of society” – Talking 1BR with director David Marmor

1BR, which I reviewed recently, was one of those great screeners which managed to surprise me whilst clearly also paying due respect to existing genre features. This is a skill which not everyone can demonstrate, much less in their debut feature, so I reached out to the director, David Marmor, to find out a little […]

Peripheral (2018)

I’ve enjoyed following director Paul Hyett’s work to date: The Seasoning House and Howl both made great use of confined locations and escalating ordeals, whilst I had some misgivings with the latter film; we have something different altogether with Peripheral, however, as we delve into ‘tech terror’, combining age-old anxieties with the shock of the […]

Mr Vampire (1985)

In a world of Elevated Horror, Intelligent Horror, Woke Horror and horror that desperately wants to be ‘of the moment’, there’s a definite pleasure to be had from seeing a film that does not hold both the genre and its audience in thinly-veiled contempt. The joys of Mr Vampire are, for the most part, lightweight […]

Neraterræ – Scenes From The Sublime

Whilst it’s quite usual to hear of albums which are based on, or influenced by cinema or literature, it’s still a rarity to find albums which hinge entirely upon art. Neraterræ – the musical project of Alessio Antoni – has recently released an album which does just that, taking for its inspiration a range of […]

Two Ways to Go West (2020)

The second feature-length film by noted graphic designer Ryan Brookhart, Two Ways to Go West moves outside of the horror genre and endeavours to explore the big topics: personal demons, unspoken truths, repercussions. However, the style and approach it takes doesn’t really serve its themes; whilst visually sharp, it can feel tonally erratic, and badly […]