“Does your head hurt yet?” This is the question posed by Robert Pattinson’s character ‘Neil’ during Tenet, as he explains the concept of reverse entropy to the David John Washington’s protagonist – who helpfully goes under that name (‘Protagonist’) throughout the film. It could just as easily apply to any of us during the last […]
During the opening credits of Kriya, on-screen text tells us that in Hindu tradition, it is the son who must be the one to perform a father’s last rites. We cut straight from this into a modern club scene: in this way, the film establishes straightaway that old and new India will find themselves in […]
When I read the synopsis for Bleed With Me (2020), my mind jumped straight to ‘body horror’ – but that’s a term reminiscent of jarring, even ludicrous extremes, from Tetsuo to Videodrome. In truth, though, there are many quieter entrants into that genre with their own questions to ask; this brings us to Bleed With […]
The BBFC-esque send-up at the beginning of Fried Barry – with a ‘warning’ of all the adult content to follow and the pointer that film certification is there to help us make informed decisions – suggests from the outset a film stacked with OTT content which is also ready to send itself up. In the […]
Horror has often examined the role of addiction: lots of its best-known antagonists have laboured under something of this kind, and it’s fertile ground for taking a closer look at people, their motivations and their flaws. This is the rationale behind short film Boo (2019), an economical exercise in filmmaking which shows a careful hand […]
In case you, like me, have some holes in your world history and were hoping that Don Enrique Monteverde (Julio Diaz) was invented for this film- I’ve got some bad news. Monteverde is a dead ringer for Guatemalan leader and General José Efraín Rios Montt, who is very real indeed. Montt led the military government from […]
The first character we meet in We Die Alone is Aidan (Baker Chase Powell); he’s preparing for a date, and he’s nervous – so nervous that he is practising the same line, over and over. We never see him get to the restaurant; his nerves are so bad that he stands the girl up, receiving […]
There’s a case for the poster for Horrors of Spider Island appearing under the dictionary definition of ‘exploitation film’, so perfectly does the movie encapsulate everything about the genre. On this basis, the only surprise about the new Severin blu-ray is why it has taken the label so long to release it, as perfect a […]
By pure chance, several of the most recent films I’ve watched have had elements in common: a certain kind of body-mod sci-fi has cropped up in films such as Parallax, with its riff on memory and mental states, and again in Peripheral, where one woman takes on futuristic tech in an attempt to maintain her […]
‘Koko-di koko-da’ – this is a tune sung by an oddly jaunty showman making his way through the woods with a group of equally odd companions, as the opening credits introduce us to this film. Koko-di Koko-da is an often challenging, if always creative watch which uses unorthodox means to explore very real experiences. Our […]
1BR, which I reviewed recently, was one of those great screeners which managed to surprise me whilst clearly also paying due respect to existing genre features. This is a skill which not everyone can demonstrate, much less in their debut feature, so I reached out to the director, David Marmor, to find out a little […]