Dead Night (2017)

When a new horror movie lands with a painfully generic title and reports of a troubled journey to the final cut, this tends to leave you with pretty low expectations going in. Dead Night premiered at 2017’s Fantastic Fest, then known as Applecart; a title I’m glad they ditched, as a) it could easily be […]

The Butterfly Tree (2017)

There’s a lot to be said for films that wear their heart on their sleeve; plenty of the most affecting and memorable titles in cinema are the work of filmmakers with an intensely personal vision. Writer-director Priscilla Cameron (making her feature debut here) certainly seems to be coming straight from the heart with The Butterfly […]

King Cohen: The Wild World of Filmmaker Larry Cohen (2017)

The annals of cult film history are littered with instantly recognisable names whose many illustrious works could be named at the drop of a hat by anyone with a reasonable knowledge of the material. However, there are plenty of other names who don’t have quite the same level of recognition, nor are any of their […]

The Night Eats The World (2018)

Zombies, as anyone who’s been following the trends of horror cinema so far this century will be aware, came dangerously close to over-saturation in the past decade. (I’d say ‘done to death,’ only… y’know.) However, the mid-2000s living dead frenzy in the wake of Shaun of the Dead, The Walking Dead, World War Z etc. […]

The First Purge (2018)

Any way you look at it, The Purge is one of the most distinctive cinematic franchises of the past decade. For one, in amongst the slew of films that are quite clearly horror yet inspire umpteen pseudo-high brow think pieces declaring they’re not horror really, The Purge is one property of which we might genuinely […]

Cinepocalypse 2018 Review: Satan’s Slaves (2017)

A potentially confusing title for anyone more familiar with Norman J Warren’s work than Indonesian genre classics, Joko Anwar’s Satan’s Slaves is a remake of a 1980 film of the same name. Anwar retains the 1980s setting and delivers a modern take on demonic possession, ritual and societal pressures. The film is currently screening at […]

Cinepocalypse 2018 Review: Seven Stages To Achieve Eternal Bliss By Passing Through The Gateway Chosen By The Holy Storsh (2018)

If a filmmaker wants their work to have an air of eccentricity about it, a sixteen word title isn’t a bad start. After all, it worked with The Englishman Who Went Up A Hill But Came Down A Mountain (shit, that’s a whole seventeen words if we count those ‘a’s), so who’s to say it […]

Cinepocalypse 2018 Review: Gags (2018)

If I’ve learned one thing from all my years following contemporary horror cinema (listen to me, making it sound like a tour of duty), it’s that you should never write off any one subgenre or motif. Every time you’re certain that something’s been done to death, along comes a new movie which, against all odds, […]

Cinepocalypse 2018 Review: Wolfman’s Got Nards (2018)

The Monster Squad holds a distinctive and relatively unique position in horror fandom. Released in 1987 back when it was still pretty early days for the PG-13 certificate, it was a box office bomb, and neither its director nor the bulk of its cast went on to do much of note. However, as with a […]

Hereditary (2018)

As we’ve seen countless times, the weight of expectation can be an ambiguous gift to a film, but it’s fair to say that few recent horrors have enjoyed such a steadily-building sense of anticipation as Hereditary (2018), which has been running tantalising trailers for the past few months. For one thing, the return of Toni […]