*THIS REVIEW CONTAINS SPOILERS* For this year’s mystery Celluloid Screams grindhouse screening, we were promised something equally as bonkers as the previous year’s Lady Terminator. I was also advised by someone on the CS programming team that I’d probably seen it, which somehow meant to fellow Screamers that I would be able to pluck the […]
Glue Trap (2023) opens in medias res, focusing on a sparring couple – Dan (Isaac Jay) and KJ (Brittany Bradford). At first, it seems like they’re in a therapy session; actually, it’s worse. They’re at a dinner party, and the host couple seems very happy, which only underlines their own issues. But some good comes […]
Recently remade for English-speaking audiences, we should remember that the original Danish Speak No Evil (2022) – one of my favourite horror films in the year it came out – was and is good enough and ground-breaking enough to even merit a second version. Directed by Christian Tafdrup, he escalates themes which have appeared in […]
Just One Drink may have been made in 2015, but it feels like a film from 2005, not least because its star – Barbara Nedeljakova – is the star of one of the biggest horrors of 2005, namely Hostel. She’s back to her old tricks in filmmaker Andrew de Burgh’s debut short film, which is […]
That’s that, then. That’s religion. It had a good run. Except, of course, if you happen to be religious, and will brush away any such declarations with the power of your faith. In a nutshell, that’s the premise behind, and the dispute within Heretic (2024) – a film which comes off as a kind of […]
Who’d be in a rock band these days? Not only do you have to contend with the sheer impossibility of making a living whilst you balance your social media profile against diminishing Spotify returns, but you may even find yourself in a horror film. Consider the surfeit of recent cinematic evidence – some good, some […]
As MadS (2024) opens, the camera pans back from what turns out to be an image of a woman’s agonised face; you could call it foreshadowing, or perhaps it’s just an incidental feature, an arty poster on the wall of an apartment being used for a drug deal, as a young man called Romain (Milton […]
1750, Austria: any film based on ‘historical records’ which starts as devastatingly as The Devil’s Bath does, at least, place its cards on the table. This richly beautiful, if always stark film examines the lives of women, and as much as it focuses on one woman, it allows us to pause long enough to extrapolate, […]
Small-time drug dealer Wes (James Nelson-Joyce) has a good thing going in his hometown of Dennings, with a growing stream of punters getting hooked on a form of ecstasy called “Clown.” He’s in a stable relationship with Zoe (Olivia Frances Brown), they’ve recently welcomed a son into the world and, longer term, they’re looking to […]
The Final Pact starts with a Suspiria-lit house and a fleeing priest; we’ll be here again, you catch yourself thinking, but it’s not quite how you’d imagine. Rather than a tried-and-tested religious horror, this is much more of a psychological drama, albeit one which draws on supernatural elements to get where it needs to be. […]
Isaac (Rupert Turnbull) has already had to come to terms with the death of his mother, but he now has to deal with the loss of his architect father James (Charles Aitken) in a car accident, leaving him, stepmother Laura (Julia Brown) and their dog to rattle around their grandly-designed house in the middle of […]