Here we are again, then. The year is 1480: Wallachian marital bliss (which seems to involve assaulting lots of cushions) gets rudely interrupted by the prospect of holy war. So off goes Prince Dracula (who keeps referring to himself as ‘Dracul’), campaigning against the invading Turks. However all his thoughts remain with his beloved Elisabeta […]
When we think about vampires, our expectations have inevitably been shaped by popular literature, which has in turn – for the last century – also found expression in cinema. In the nineteenth century, popular reading habits created a set of cultural expectations about vampires. The birth of horror fiction, which stemmed in turn from the […]
Bram Stoker’s 1897 novel Dracula has always proven a particularly rich seam for filmmakers hoping to develop their own interpretation of his story. Thus, Dracula has been a rat-like creature, a suave nobleman, an aged warlord, and all manner of subtle variants of same. By no means is every interpretation going to please all of […]
Inspired by the success of Hammer’s lurid horror cinema in the 1960s, the ever-versatile Toho Studios made a sound business decision to make some vampire films of their own. Whilst there is a modest array of films based specifically on Far Eastern vampire lore, the productions overseen by director Michio Yamamoto are rather different, blending […]
The vampire – at least as we used to know it – seems to have fallen out of favour in recent years. By no means has it disappeared, but certainly, as on-screen monsters go, it’s no longer in its ascendant. Terrific, spellbinding horrors continue to be made, sure, even if more often than not as […]
By Keri O’Shea What is it that defines the term ‘gentleman’? Without a doubt, it is a term which remains nebulous, and one which has changed throughout its history; you could also make the case that the term itself has lost much of its meaning in the modern day, but perhaps we can still say […]
By Ben Bussey If I were to ask who the most iconic screen Dracula was, I imagine the answers would be wide-ranging. Presumably most would be torn between Lugosi and Lee, with maybe a few shout-outs for Oldman, and one or two bending the matter slightly by arguing for Schreck. However, if I were to […]