By Gabby Foor Nothing to see here. Just two Nicks, one older and historically fond of saws, the other younger with a traditionally bold appetite, with fascinating and fantastic filmographies, now both vampiric. Renfield is the ambitiously-told tale of a narcissistic, emotionally manipulative Dracula and his insecure familiar, Renfield. Part vampire epic, part relationship comedy, […]
Bram Stoker’s 1897 novel Dracula has always proven a particularly rich seam for filmmakers hoping to develop their own interpretation of his story. Thus, Dracula has been a rat-like creature, a suave nobleman, an aged warlord, and all manner of subtle variants of same. By no means is every interpretation going to please all of […]
Inspired by the success of Hammer’s lurid horror cinema in the 1960s, the ever-versatile Toho Studios made a sound business decision to make some vampire films of their own. Whilst there is a modest array of films based specifically on Far Eastern vampire lore, the productions overseen by director Michio Yamamoto are rather different, blending […]
The vampire – at least as we used to know it – seems to have fallen out of favour in recent years. By no means has it disappeared, but certainly, as on-screen monsters go, it’s no longer in its ascendant. Terrific, spellbinding horrors continue to be made, sure, even if more often than not as […]
By Keri O’Shea What is it that defines the term ‘gentleman’? Without a doubt, it is a term which remains nebulous, and one which has changed throughout its history; you could also make the case that the term itself has lost much of its meaning in the modern day, but perhaps we can still say […]
By Ben Bussey If I were to ask who the most iconic screen Dracula was, I imagine the answers would be wide-ranging. Presumably most would be torn between Lugosi and Lee, with maybe a few shout-outs for Oldman, and one or two bending the matter slightly by arguing for Schreck. However, if I were to […]