I Am (2021)

Science fiction has become very low-key these days, hasn’t it? Perhaps it’s as a result of the way we’re already living with a lot of the technology – and repercussions – which much of classic sci-fi could only imagine. Now, we’re left to play catch-up, wondering what all of these developments and further developments can […]

The Banishing (2020)

In the first decade of the new millennium, Christopher Smith – alongside his contemporaries like Neil Marshall, Simon Rumley and Ben Wheatley – formed part of a new wave of British genre cinema, delivering some of the best, or at least most-discussed horrors of the Noughties along the way. Smith’s first feature-length was Creep (2004), […]

Far From the Apple Tree (2019)

Far From the Apple Tree is an engaging, if oblique study of the creative process: it takes in ideas of the ‘muse’, although it does so from a different perspective than usual, and it’s a considered, thoughtful piece of film which looks fantastic. We start out with an opening night at a gallery: one of […]

Infinitum: Subject Unknown (2021)

Sci-fi of all stripes has often been naturally inclined towards exploring quantum theory: this alternative means to define reality lends itself to intriguing examinations of the human condition, which potentially makes for good cinema. It’s very much the case in Infinitum: Subject Unknown, a low-key but adventurous and thought-provoking low-budget film which spins together some […]

Music: interview with Jordan Guerette (Forêt Endormie)

We don’t cover a great deal of music here on Warped Perspective, but I’m delighted for that to start changing, and better still, to get to run a piece with vocalist and guitarist Jordan Guerette: I’ve liked his other band, Falls of Rauros, for some time: if you enjoy progressive black metal which blends with […]

Frightfest Glasgow: Out of the World (2020)

Out of the World (2020) was the second film of the weekend to open on a man carefully cleaning a knife; however, tonally, this film couldn’t be more different to Vicious Fun. It’s immediately made clear that this is not to be a standard-issue villain, but even though director Marc Fouchard humanises his lead character […]