The Long Walk (2019)

With its sunlit, rural Laotian setting, a series of enigmatic ghosts and intimations of alternate realities, The Long Walk already has a lot of elements and, dare we say, a stockpile of kudos made to draw many viewers to its flame. Add to this that it’s directed by Mattie Do, the much-feted first Laotian female […]

Deadly Games (1982)

Review: Chris Ward Just when you thought there couldn’t be any more early ‘80s slasher movies for Arrow Video to exhume and give their customary polish to, they bring another lesser-known title to the party, this one being 1982’s Deadly Games. A fairly generic title that doesn’t give much away, Deadly Games is a slightly […]

Sweetie, You Won’t Believe It (2020)

Like a lot of audience members presumably, this reviewer had no idea what to expect from a Kazakh horror-comedy. But it turns out that, however geographically far Kazakhstan might be from many of us, there are many universal features which we can all enjoy; this is an earnest, often puerile and occasionally very gory little […]

Those Who Walk Away (2022)

With its very modern sensibilities and a certain level of artistic ambition, Those Who Walk Away has a few decent moments. Then again, the pitfalls of ambition over substance are written all over this (ostensibly) haunted house movie, with the main effect being that, despite some strong visuals and moments of atmosphere, it labours under […]

The Abandon (2022)

The Abandon gives itself an immense amount of work to do; it has sci-fi elements, but it couples these with something akin to an ordeal horror in places. But then, it adds elements of human drama too – elements which become steadily more important as the film progresses. All in, it’s a challenging watch which […]

Slapface (2021)

Whilst Slapface (2021) starts out with very broad strokes – literally showing us big brother Tom (Mike Manning) and Lucas (August Maturo) taking turns to slap each other as some sort of proxy household meeting – it soon becomes something if not altogether subtle, then certainly altogether more considered. Likewise, the opening credits, with their […]

Subverting the Maternal in Raised by Wolves

The TV series Raised By Wolves follows a battle being fought in microcosm, but the resources which are being fought over surpass the usual struggle for land, wealth and power. Having been forced to abandon Earth – now on the verge of destruction, if not already past that point – a small contingent of militant […]

Below The Fold (2021)

It’s a crime thriller, but Below The Fold starts with what could easily be a horror film opening. It’s an ominous take where it seems something sudden and shocking has happened: the TV is left on, showing nothing but dead air, a telephone receiver lies abandoned. What is this? We’re not told immediately – we’re […]

The Last Thing Mary Saw (2021)

There have been a fair few gloomy period pieces floating around over the last few years, and though it’s somewhat beyond the scope of this review, it would be interesting to ponder why: what is it about oppressive religious belief and isolated family groups which has such ready appeal for writers? We can’t possibly hand […]

Nocturna: Side A – The Great Old Man’s Night & Side B – Where The Elephants Go To Die

“What am I doing here?” – it’s a simple line, but this early line in Nocturna: Side A sums up the terror and disorientation of old age, particularly when old age is accompanied by dementia – something which the film excels at. When you are losing even the merest anchors of your identity, right down […]