The Fix (2024)

The Fix (2024) starts with an advert: there’s apparently a product available which will enable people to ‘breathe the air again’. Uh-oh; so it sounds as though director Kelsey Egan’s interest in environmental sci-fi and horror is still intact, if being given a different level of reach here than in previous films, such as Glasshouse. […]

FFS Festival 2024: Shanghai Girls

“Our younger selves sing on in our hearts. We hear them still.” Thirty years ago, Luo Tong was a member of a choir which achieved a short-lived period of fame during the 1990s, thanks to their performances on a national stage. Now a filmmaker, Tong reunites with her fellow singers and teachers to reflect on […]

Dream Team (2024)

After biologist and coral smuggler Dr. Theresa Gorgeous dies in strange circumstances, Interpol agents Chase National (Alex Zhang Hungtai) and No St. Aubergine (Esther Garrel) head to Mexico to investigate a convoluted case that may be connected to Gorgeous’ illicit cargo. Can they solve the mystery before the body count spirals out of control? Described […]

Celluloid Screams 2024 35mm Grindhouse Screening: Pieces

*THIS REVIEW CONTAINS SPOILERS* For this year’s mystery Celluloid Screams grindhouse screening, we were promised something equally as bonkers as the previous year’s Lady Terminator. I was also advised by someone on the CS programming team that I’d probably seen it, which somehow meant to fellow Screamers that I would be able to pluck the […]

Spirit of Independence 2024: Reputation

Small-time drug dealer Wes (James Nelson-Joyce) has a good thing going in his hometown of Dennings, with a growing stream of punters getting hooked on a form of ecstasy called “Clown.” He’s in a stable relationship with Zoe (Olivia Frances Brown), they’ve recently welcomed a son into the world and, longer term, they’re looking to […]

The Final Pact (2024)

The Final Pact starts with a Suspiria-lit house and a fleeing priest; we’ll be here again, you catch yourself thinking, but it’s not quite how you’d imagine. Rather than a tried-and-tested religious horror, this is much more of a psychological drama, albeit one which draws on supernatural elements to get where it needs to be. […]