4/20 Massacre (2018)

Nothing sells a slasher like a holiday association. You really don’t need me to do the list; if it’s been deemed a day of rest or celebration which is in some way marked annually, then it’s fertile ground in which to cultivate 80-odd minutes of hapless, sinful youngsters getting hacked up by a maniac. Small […]

Tomb Raider (2018)

The arrival of this new big screen take on the digital adventures of Lara Croft brings with it mass cries of, “will this finally break the video game movie curse?” Well, not unlike this new live action incarnation of Lara, I don’t really believe in curses. While the good is undoubtedly outweighed by the bad, […]

Red Sparrow (2018)

Depending on how closely you follow the news coming out of Hollywood, Red Sparrow is a film which is pretty much impossible to take entirely on face value. Everything from the premise, to the casting of Jennifer Lawrence, to the tag line ‘Take Back Control’ marks the film out as a thriller with a distinctly […]

A Guidebook to Killing Your Ex (2016)

Is it just me, or does the ‘found footage’ craze of the past fifteen years or so seem to have died back a little of late? This sub-genre seemed to dominate indie cinema for what seemed like forever, becoming infamous as a go-to model for those on a shoestring budget. Well, found footage films are […]

They Remain (2018)

Any film that opens on a title card bearing a quote from HP Lovecraft is guaranteed to get horror fans sitting up and taking notice. Whether the subsequent hour and a half of They Remain will keep them in that upright, attentive position is another matter. Writer-director Philip Gelatt’s film strives to give us an […]

Chokeslam (2016)

Ever wondered what Grosse Pointe Blank would have been like if, instead of the guy being a hitman, the girl was a pro-wrestler? Well, no, I can’t say that’s something I’ve ever given much thought to either. Nonetheless, that’s pretty much what we have in Chokeslam, a Canadian indie rom-com from director/co-writer Robert Cuffley. It’s […]

The Lodgers (2017)

The very opening scenes of The Lodgers speak to the key themes of the film as a whole: a young woman, sitting alone by a lake at night, preoccupied by her thoughts, suddenly flees back to a dilapidated mansion house when she hears the clock striking midnight. This is the first, but not the last […]

Are We Not Cats (2016)

There’s always plenty to be said in favour of taking a distinctly unusual premise and building an unconventional film around it, which challenges conventions about storytelling and character. On occasion, such an approach has resulted in truly striking, in some instances genuinely groundbreaking cinema. However, it can also result in works that simply feel tedious, […]

Hellraiser: Judgment (2018)

My relationship with the Hellraiser sequels is ambivalent at best, hostile at worst; as I’ve said previously, the first Hellraiser is rather important to me, and I’ve always yearned for a fully-realised entrant into the mythos to appear, but with the exception of Hellbound – itself a brilliant horror movie – I’ve always ended up […]

Winchester (2018)

With the Paranormal Activity series still fairly fresh in the memory, and the ongoing box office success of the Insidious and The Conjuring franchises, the ghost movie has seemingly never been more popular – and arguably never in greater need of a shot in the arm. We all know the routine: dark rooms, lengthy silences, […]