There’s a battle of the sexes on its way in Old Flame (2022), as is abundantly hinted by the opening seconds of the film. A woman’s screams immediately cut to a video call between a father, Calvin (Andy Gershenzon) and his two young children; Daddy is away for a few days at a college reunion, […]
Clues that we are seeing the aftermath of violence are what introduce us to Repulse (2021): shattered glass, a trashed vehicle, a discarded hammer. But no sooner has this eerie calm unfolded, than it’s being disrupted by an angry scream; then we’re elsewhere entirely, now actually witnessing violence taking place. This episodic, fitful structure is […]
I wonder if it’s the pandemic which has reminded us of our fear of the outdoors? Or did we always know? Regardless of where you stand on that question, the specific perils of climbing have appeared in a couple of films this year: The Ledge blended a dangerous climb with some dangerous pursuers, which kept […]
The rise and rise of social media has definitively blurred the line between consent and content. Good horror films were quick to realise this, as horror so often is: by looking at the continual blurring of reality and unreality, persona and person, horror has invited us to think about a new, updating number of worst […]
Who knew the art world could be this dangerous? Expensive? – absolutely. Elitist? Sure. But actively harmful? A Wounded Fawn (2022) opens on a prestigious auction, where a rare Greek bronze is being sold via an array of buyers primed to get the sale and get their commission. This frenetic, competitive environment prepares us for […]
Here’s what you might already know about Glorious: it’s set in a toilet. What you might not yet know (or perhaps you do) is that you can explore some pretty profound ideas in this setting. Think microcosm-macrocosm, where big ideas can be played out on the small scale, but tell us a lot about the […]
Rounding off our Fantasia 2022 coverage, we have a glance at another run of short films – this time, directed exclusively by women. And it’s a varied, often very dark collection of films, touching upon subjects such as superstition, statelessness, secret worlds, the afterlife, friendship, love and trauma. Lily’s Mirror operates in a ghastly early […]
Remember that meme from a few years ago which pointed out that if you run Godzilla backwards, it’s the story of a benevolent lizard who builds a city before moonwalking into the sea? Yeah, yeah, but it raises a valid point: you have to wonder, in those many fine films where a city gets decimated […]
Let’s cut to the chase here: we’re big supporters of short film as a medium here at the site, but whether you’re a regular reader or not, surely you’d agree that the presence of short films is of tremendous benefit to any film festival. The storytelling is pared back by necessity in a short film […]
All great old cities are built on the bones of the dead. Paris conceals miles of spooky catacombs beneath its streets. London sits on layers of plague pits, paupers’ graves, Roman-era burials, the forgotten dead from wartime conflagrations, as well as the ashes of its own ancient sacking. Tokyo, the main urban centre of Japan […]
The Breach (2022) knows exactly what it wants to be: that is, a solid horror yarn, a midnight movie by design which might not surprise you with its plot elements, but will keep you consistently entertained as it burns through a significant number of genre features. Directed by Rodrigo Gudiño, founder of Rue Morgue magazine, […]