Celluloid Screams 2019: The Nightingale

If ever a film spoke to unpalatable truths, then it’s Jennifer Kent’s most recent film, The Nightingale. Where her previous feature The Babadook put a fantastical spin on mental trauma, The Nightingale strips back all varieties of artifice and fantasy, striving to represent a notoriously brutal period in Australia’s colonial past as realistically as possible. […]

Celluloid Screams 2019: Antrum – The Deadliest Film Ever Made

The notion of the ‘cursed film’ is nothing new in horror cinema, and it has formed the basis of some deeply disturbing, evocative projects over the course of the years. The Ring was a hugely successful crossover from what was, for many viewers, a largely unknown horror tradition with its own mythology and rules of […]

Celluloid Screams 2019: The Golden Glove

The opening scenes of any film are important in setting the style and tone of the film to follow; accepting this, the beginning of The Golden Glove rapidly establishes that what is to follow will be saturated with grime, misery and desperation, coming in immediately with largely intimated, but no less horrific violence. Based on […]

Celluloid Screams 2019: After Midnight (2019)

One of the most talked-about films on the horror film circuit back in 2013 was The Battery, an ultra low-budget mumblecore American indie take on the classic zombie apocalypse set-up. It proved divisive, with many viewers finding it too slow, uneventful and low on the expected gut-munching horror, but plenty of others (myself included) being […]

Mayhem Film Festival: The Gangster, The Cop, The Devil (2019)

There’s a brutal serial killer on the loose in South Korea. His modus operandi is quite simple: by faking a collision with another vehicle on a deserted road, he encourages the aggrieved party to get out of their car: when they do so, he waits for them to get distracted, then stabs them to death. […]

Joker (2019)

Remember the seventies and eighties, when regular moral panics about popular films, music, television shows and finally, videos were the thing? When the Tipper Gores and Mary Whitehouses of this world would insist, without a scrap of real evidence, that various media were responsible for acts of moral depravity and horrific violence? This argument has emerged […]

Mayhem Film Festival: Color Out of Space (2019)

It’s a sad fact that director Richard Stanley is as well known for not making films as he is for making them; since the debacle surrounding The Island of Doctor Moreau in the mid nineties Stanley hasn’t made a creative feature-length film, and given the quality of his earlier projects such as Hardware, this can […]

Mayhem Film Festival: Daniel Isn’t Real (2019)

Daniel Isn’t Real was introduced as ‘a cross between Drop Dead Fred and Hellraiser’; if you are immediately wondering how that could ever play out, then rest assured, this is as good an approximation as you are likely to get. This film is incredibly dark throughout, threaded through with ambiguities which grow the more you […]

Mayhem Film Festival: Extra Ordinary (2019)

As the point has been made several times before on this site, horror comedy can be a risky venture; when it goes wrong, it can be either not that funny, nor really capable of showing any love for the horror genre either. Happily, neither of these charges can be levelled at Extra Ordinary. The film […]

3 From Hell (2019)

After the Firefly family got caught in a hail of bullets at the end of their little road trip in The Devil’s Rejects, I don’t think anyone really foresaw a sequel. But it turns out these characters have a life of their own now that defies expectations: House of 1000 Corpses and Devil’s Rejects are […]