By Ben Bussey There are a great deal of indie horror filmmakers out there who would do well to take a leaf out of Dustin Wayde Mills’s book. Anyone who follows our reviews here at Brutal As Hell (gawd bless you, whoever you are) will no doubt have seen us complain time and again of […]
By Nia Edwards-Behi Round these parts, we know full well that I am a bit of a fan of The Last House on the Left. It’s one of those films that I can talk about for hours and watch again and again to find new things in it. I was rather looking forward, then, to […]
By Nia Edwards-Behi Garuda Power is a modest but passionate and highly entertaining documentary, charting the quiet rise and disastrous fall of Indonesian action cinema. Having premiered late last year at South Korea’s Busan International Film Festival, the film’s been doing the rounds at East Asian film festivals, and very recently in Europe. I really […]
By Ben Bussey It’s curious how a film can be an acknowledged cult classic and a popular point of reference, and yet still surprise you 40 years after its original release. If you haven’t seen the original Rollerball before (let this be the first and last time we speak at all of that rightly maligned […]
By Matt Harries Reader advisory: Moderate spoilers ahead. For a spoiler-free appraisal of Starry Eyes, see Ben’s review from Celluloid Screams 2014. We live in an era obsessed with viral fame and hollow glory. The overwhelming desire to be seen, to be watched and admired by approving peers, is seemingly universal. Fame, or some reduction […]
By Quin Early in The Cabining, a group of people are critiquing screenplays. Writing partners and friends, Todd and Bruce, are there to get feedback on the horror movie they are writing. The consensus in the group is that it sucks. One woman chimes in with, “Just because you chose a forgiving genre, doesn’t make […]
By Keri O’Shea Feeling secure in one’s home is, for most people, absolutely essential – particularly, I’d imagine, if you have a family, and need to feel that you have a safe space for them, somewhere they can rely on as intrinsically secure, intrinsically theirs. This feeling of security is also a source of anxiety, […]
By Ben Bussey In a curious kind of way, Hollywood Chainsaw Hookers is a film that has no need to exist. Now, don’t take that the wrong way; it’s an enormously entertaining bargain basement B-movie that still holds up 27 years on. What I mean to say is, the film itself is largely peripheral to its […]
By Svetlana Fedotov As I’m sure most of you realize, the comics I review are but a small percentage of the comics I actually read. I read a LOT of comics, all kinds too! Superhero, horror, fantasy, love manga , indie comics about sad dudes in France, comics FROM France, what have you. So, my […]
By Keri O’Shea I always make it a point never to read reviews of new films I’m about to review: some people may be better than I am at filtering out the opinions of others before forming one of their own, but it’s not so for me. I find it virtually impossible not to carry […]
By Quin Damn this movie – from the setup that doesn’t matter at all to the downbeat ending that is almost good, but carries the story just a little too long. The Damned is one of those glossy looking movies with the production values of a good movie, but it never does what it’s trying […]