The Fix (2024)

The Fix (2024) starts with an advert: there’s apparently a product available which will enable people to ‘breathe the air again’. Uh-oh; so it sounds as though director Kelsey Egan’s interest in environmental sci-fi and horror is still intact, if being given a different level of reach here than in previous films, such as Glasshouse. […]

Glasshouse (2021)

In dystopian worlds, there’s a fascination with the possibility of closed environments. These small bastions of normality in the face of threats from beyond appeal to us, the more so when it ever becomes clear that – where humanity is concerned – nothing can ever be truly hermetically sealed: against hostile outsiders, environmental catastrophe, or […]