Review by Nia Edwards-Behi I’ve been eagerly awaiting the chance to see A Girl Walks Home Alone at Night for some time. A film dubbed an Iranian-vampire-western, directed by a woman, seems quite tailor-made to my tastes. Shot in stark black and white, the film is set in the fictional Iranian town of Bad City, […]
Review by Nia Edwards-Behi I can’t personally think of a horror sequel I’ve more eagerly anticipated recently than [REC] 4. The last one I’ve been as excited for was probably [REC] 3, which I ruddy well loved, unlike, apparently, most people. However, I’ve also tried not to get too excited for [REC] 4, knowing full […]
By Kit Rathenar Read Part 1 of Kit’s BSIFF report here. SATURDAY, 26 October Halfway through the festival, and this morning took an academic turn with one of the lectures that BSIFF likes to sprinkle into their programme. This one, entitled “Crucifixes, Cadavers and Demons”, was presented by freelance horror lecturer and journalist Dr Karen […]
By Kit Rathenar You’d think it wouldn’t be that difficult to review a film festival when you’ve got a reviewer actually living in the right town and another one available a mere hour up the road. However, apparently the gods had a grudge against Brutal As Hell when it came to this year’s Bram Stoker […]
Review by Ben Bussey Have we run out of new ways to tackle the vampire? I must say, I’m beginning to wonder. With each successive attempt to breathe new life into that most time-honoured of monsters, it’s seeming more and more that there just isn’t an approach that we can take that doesn’t directly recreate […]
By Stephanie Scaife Read part 1 of Steph’s FrightFest round up here. Day three of FrightFest started with The Hypnotist, a Swedish crime thriller directed by Lasse Hallström (Safe Haven, Dear John) and based on the bestselling novel of the same name by Lars Kepler (husband and wife duo Alexander Ahndoril and Alexandra Coelho Ahndoril). […]
Review by Stephanie Scaife I was pretty surprised when I read that Jim Mickle (Mulberry Street, Stake Land) was working on a remake of Jorge Michel Grau’s film of the same name. But as an admirer of Mickle’s previous work I went in with an open mind, happily to discover that We Are What We Are […]
Review by Stephanie Scaife The Desert is the first feature from German/Argentinean documentary filmmaker Christoph Behl and it has its world premiere at FrightFest last weekend. I went in knowing almost nothing about the film other than it being set in the aftermath of a zombie apocalypse. Being a particular genre-weakness of mine, I decided […]
By Stephanie Scaife It’s that time of the year again: FrightFest is back and it is bigger than ever, screening a massive line-up of 51 films across 3 screens at London’s iconic Empire Leicester Square cinema. After sadly managing to miss the world première of The Dead 2: India, FrightFest 2013 began for me with […]
Review by Stephanie Scaife There is always at least one of the late night screenings at FrightFest that brings the house down and ultimately proves to be one of the highlights of the festival, and this year I wholly anticipate it being E.L. Katz’s directorial debut Cheap Thrills. It’s a blackly comic, gross-out morality tale that examines […]
By Stephanie Scaife You may be familiar with Bobcat Goldthwait through the likes of his pitch black comedies World’s Greatest Dad (2009) and God Bless America (2011), or as Zed in the Police Academy movies, so it may come as a surprise to find out that his newest picture as a writer and director is […]