Examining the liminal spaces and places of Backrooms (2026)
What kind of place is this? Backrooms (2026) is another of those break-out indie horror films from a young director unburdened by the weight of a legacy, whilst still benefitting from the ever-growing wealth of horror cinema which operates like its own microculture, cross-pollinating titles, genres, ideas and styles. Alongside Obsession, it picks up its […]