Dead Northern 2026: The First Day (El Primer Día)

What starts out as a quiet Saturday for Sandra (Nerea Barros), her husband Liam (Willam Miller) and their children Emma (Alma Bruno) and Lucía (Claudia Lilley) slowly turns into a nightmare, as the worldwide outbreak of a virulent disease reaches their sleepy, suburban neighbourhood… We’re in infected/undead territory once again, which is not necessarily a […]

Dead Northern 2026: Free Buffet

A camera whirls through an unkempt indoor food market in Madrid; it’s soon equally swirling with racist stereotypes about the Chinese vendors working here which – at least briefly, in the world of Buffet Libre (2025) – turn out to be true. The Chinese, represented here by wife Xian (Yan Huang) really are catching and […]

Spirit Of Independence 2026: Haunted

On October 19th, 2003, in the town of One Season, Jack (Jack Rawlinson) goes for a swim and disappears beneath the waves. Three weeks later, he returns without an explanation and no knowledge of what has happened to him in the intervening time. Four years on, Jack is eking out a reclusive existence, but the […]

Faces of Death (2026)

With the incredible levels of social media saturation now possible – often moving from cute pet videos to real-life ordeals in an easy move – then you could be forgiven for thinking that there’s no overarching controls out there, but apparently, there are. Margot (Barbie Ferreira) works for the Kino video app, attaching content warnings […]

FrightFest 2026: Valley View Motel

“This is a true story…sort of.” Wasting no time in getting its players on the board and establishing its own sardonic spin on Americana, Valley View Motel (2026) is a love letter to the 70s crime genre cinema with which it shares its setting. We start with what looks like a robbery gone very wrong […]

FrightFest 2026: Bad Karaoke

“You picked Haddaway?” 2012: Jerry’s, somewhere in the boonies, is the self-proclaimed ‘best bar in town’, with a thriving karaoke night taking place – right up until a drunk stumbles over and yanks out the machine’s power cable, blasting the literal eyeballs out of the current performer. I like it when a film makes a […]