Review: The Devil’s Carnival

Review by Annie Riordan So, on Saturday morning, having nothing better to do, I stripped completely naked except for a pink tutu, popped a handful of NoDoz and washed it down with a bottle of Nyquil, lowered the disco ball, tuned into the All Calliope All the Time radio station, ran a YouTube recording of […]

DVD Review: Southern Comfort (1981)

Review by Oliver Longden Southern Comfort is a re-release of a 1981 survival thriller by Walter Hill, best known for the cult classic The Warriors in which a street gang must fight their way home across a surreal gang-haunted vision of New York. Southern Comfort tells a similar story of violence and struggle. A group […]

Book Review: Splinters by Joseph D’Lacey

Review by Ben Bussey Short stories have quite a role in horror history, don’t they? While often the format is regarded perhaps a little dismissively as simply an entry point into the field for fledgling wordsmiths, for many writers they’re an end unto themselves. Plenty of the horror masters have done some of their best and most […]

Abertoir 2012: Festival Report

By Keri O’Shea I don’t tend to go on conventional holidays, but for four years now I’ve been making a yearly pilgrimage to a picturesque seaside town in mid-Wales…and, hand on heart, I wouldn’t have it any other way. I first became aware of this unique horror film festival via FAB Press all those years […]

Abertoir 2012 Review: Sightseers

Review by Ben Bussey It might raise some eyebrows that director Ben Wheatley has chosen to follow up his widely praised hitman/Satanic panic chiller Kill List with a black comedy about a couple on a British caravan holiday. Those who rate Wheatley’s last to be one of the best horror films of recent years might initially […]

Abertoir 2012 Review: Citadel

Review by Tristan Bishop When non-horror fans ask me why I am so besotted with my favourite genre, I tend to give them the following reason: I believe that even bad horror films are interesting as they reflect, more so than any other genre, the changing fears and obsessions of different cultures over the years. […]

Abertoir 2012 Review: John Dies At The End

Review by Ben Bussey When setting out to assess a film which deals with the nature of time, space, psychic phenomena, and the role that drug use might play in our perception of these matters, all from a detached, tongue-in-cheek perspective, it’s immediately apparent how easily a film of this nature might not work. From […]