By Dustin Hall Back in 2013 I posted a review for The Conjuring, and in many ways I feel like I could just copy and paste that same review here and be done with it. That shouldn’t necessarily be taken as a criticism. The Conjuring was a very successful horror film, a rarity these last […]
By Ben Bussey Hello again, BAH readers. Given that we’ve been offline the best part of a week (another story for another time), there’s nothing I’d love more than to welcome you back with word on an upcoming new release that I know is going to blow your minds. Alas, I’ll have to disappoint you. […]
By Ben Bussey It’s always admirable to see a debut feature from not only a first-time director but also a largely inexperienced cast and crew, particularly when the film in question is making a very concerted effort to break from the norm and present something unique and challenging. That having been said, when aiming to […]
By Nia Edwards-Behi Remember Bad Milo, from a few years back? That film was about the manifestation of personal anxieties in the form a butt demon, and very good it was too. Well, the origin of the demon in Der Nachtmahr isn’t quite so scatological, but it might certainly be considered a generic family member; […]
By Tristan Bishop There are many things intrinsic to British culture that have been imported from overseas – The Royal Family, the Patron Saint Of England – but primary among the significance to us Brits is the humble kebab, now so ingrained in our culture that it’s almost impossible to conceive of a night out […]
By Nia Edwards-Behi Since its premiere at last year’s Film4 FrightFest, Abigail Blackmore’s short Vintage Blood has played countless festivals and received rave reviews. It’s finally being released online from 12pm on Monday, May 30th and I heartily recommend giving it a watch. It’s easily one of my favourite short films that I saw last […]
By Nia Edwards-Behi I confess that the name Emilio P. Miraglia didn’t mean much to me before Arrow announced their boxset dedicated to his two Gothic giallos, but the titles were familiar: The Night Evelyn Came Out of the Grave and The Red Queen Kills Seven Times. Miraglia’s name isn’t the only one connecting these […]
By Keri O’Shea Casting an eye over the upcoming cover art for Intruders, I found myself thinking two things: firstly, oh god, that Cabin in the Woods artwork has a lot to answer for, and secondly, hmm – there are a lot of household tools being showcased here; please don’t let this home invasion movie […]
By Karolina Gruschka The Aborsky Produktion Oltre La Follia by Luigi Zanuso, is a celebration of the abject. Introduced by the film’s promotion as “a surreal Porno/horror impregnated with the artistic/conceptual vision of the author”, Oltre La Follia displays death, (moral) decay, abject identities and various body fluids and functions in an explicit manner. The […]
I’ve said it before and I’ll say it again: far too often, microbudget indie horror filmmakers seem content to do little more than half-heartedly rehash tired old tropes in a manner that demands little of themselves and even less of their audiences. It makes me very happy to say that this is most emphatically not […]
Review by Quin Roger Sewhcomar’s no-budget crowd funded film Do You Like My Basement? Is one of those titles that you will probably either love or hate. On one hand, it’s a bit whimsical and gives a wink at the horror genre; on the other hand, for those who like their horror mean and nasty, […]