A lot of the films we cover on the site relate to the great ‘what if?’, the playing out of fantastical scenarios, some more realistic, many supernatural and many fairly impossible if not utterly so – but a genre we rarely get asked to cover is the disaster movie. It’s strange that so very few […]
By Ben Bussey One simple fact about horror, which any vaguely knowledgeable fan can tell you but which seems so often to be forgotten by the wider audience, is that the genre first and foremost speaks to and for the outsider, the ‘other,’ those who for whatever reason cannot find a place for themselves in […]
By Ben Bussey Biopics are always tricky. Bring any true life story to the screen, and questions will always be asked about just how accurate a representation of the events it really is. These concerns are amplified when the story in question is fresh in the popular consciousness, and centres on figures of some cultural […]
By Karolina Gruschka Going by the artwork and the trailer for VFX artist Torey Haas‘ (V/H/S Viral, Angry Video Game Nerd: The Movie) first attempt at directing a feature, I had high hopes for The Neon Dead. I was expecting to see a serious horror film interlaced with comedic elements and a camp sensibility; the […]
By Keri O’Shea When is a giallo not a giallo? Sure, the cinematic tradition is expected to deliver crime drama as per the print publications which gave us the term ‘giallo’ in the first place, but the expectation is also there of a certain aesthetic on our screens, usually invoking sexuality as well as criminality; […]
Isn’t it well past time that sharks became truly scary again? Beyond the original Jaws, it’s debatable any film has ever presented those formidable sea dwellers as true objects of terror, and in recent years it’s pretty much a given that any film which features the creatures in the title is going to be an […]
By Ben Bussey When the most prominent words in the PR of a new release are ‘from executive producer Ben Wheatley,’ two key thoughts immediately come to mind: firstly, it’s a shame that writer-director Nick Gillespie doesn’t get full credit for his own work (although he’s hardly the first director to be overshadowed by an […]
By Ben Bussey Up until this moment, BAH may have been the only horror-related site to have not published anything on the subject of Stranger Things. Plenty of Netflix original films and TV shows have become talking points, but few if any have made quite the same sensation as this 1980s-set drama which manages to […]
By Ben Bussey I’ve reviewed more than my fair share of no-budget horror movies over the years, and it often proves a challenging business. The same complaints come up time and again; horrendous production values frequently render the action almost impossible to follow, and more often than not the subpar writing and acting mean that […]
By Keri O’Shea Imagine a sequence of films, emanating from Japan over forty years ago, which melded – literally – riotously strong female characters with insurrection, violence, sexuality and even the odd dash of social commentary. ‘Women in prison’ films (for the most part) like no other, the Female Convict movies (or ‘Female Prisoner’, in […]
By Nia Edwards-Behi For my sins, I’ve not seen nearly as much canonical European ‘art’ cinema as I probably should have, all things considered. I am, however, a big fan of one Ingmar Bergman, and when he’s claimed that Andrei Tarkovsky is “the greatest”, then really it’s a bit of a crime that it’s taken […]