If you freeze-frame in the opening reels of Basket Case 2, a curious thing happens. You can almost – almost – sense the utter surprise on Frank Henenlotter’s part that he’s making a sequel to his surprise grindhouse hit at all. At the end of Basket Case, see, it seems that both Duane and Belial […]
By anyone’s standards, sixteen years is a hell of a hiatus for a filmmaker to take between films. Yeah, from time to time this happens (Herschell Gordon Lewis went a staggering thirty years between The Gore Gore Girls and his next film) but overall, it’s still unusual. After all, if you’d taken that long a […]
If you didn’t already know from your experience of watching Basket Case that bad things are almost certainly around the corner, then you could be forgiven for thinking that the beginning of Brain Damage (1988) features a perfectly respectable elderly couple, in a well-decorated New York apartment, doing something perfectly reasonable. Sure they’re feeding…something, but […]
A few years ago, at the Dead by Dawn horror festival in Edinburgh, I was invited to take part in a ‘play dead’ competition with the rest of the auditorium. Quite unusual as a pastime, you might think, even for a horror fest. Well, this was all off the back of a competition being held […]
It’s a curious twist of fate/scheduling that writer-director Graham Skipper’s arcade game-themed horror should land on streaming platform Shudder in the same week that David Cronenberg’s eXistenZ gets its UK Blu-ray release. The Canadian body horror pioneer’s 1999 film would seem a likely influence on Sequence Break, given the gaming angle and the emphasis on […]
It’s odd to think that there was a time in which an abstract take on video game culture which features people entering a virtual reality by plugging an umbilical cord into a portal at the base of their spine might be considered a fairly safe, mainstream-friendly work of cinema. This, however, was pretty much the […]
It’s been pleasing to see an apparent rise in films about girls and the aftermath of adolescence in the horror genre of late, with 2016’s Raw perhaps being the stand-out example. Blue My Mind is the latest, and it’s a striking and engaging film. The young woman at the centre of the film is Mia […]
By Keri O’Shea Since the widespread colourisation of film replaced black and white as the go-to format for popular cinema, horror movies have frequently led the charge when it comes to the most creative use of colour palletes, special FX and lighting. It’s something of a myth, a myth which persists, that horror always takes […]
By Keri O’Shea We look at quite a few short films during the course of an average year here at Brutal as Hell, what with the Horror in Short section we run, together with our combined attendance at horror festivals – but sometimes, a filmmaker’s work stands out, and that’s certainly the case with director […]