The Land Knows: the Sinister Seams of the British Folk Horror Landscape (Part 1)
Idylls are not idylls in the British folk horror world, and the land itself hides a multitude of sins – even if ‘sins’ are a relatively modern phenomenon, by its standards. This small, but significant sub-genre derives a great deal of its power by examining the deep unease generated by Britain’s ancient history: the palpable, […]