By Ben Bussey The arrival of yet another no-budget zombie gore movie – even one that involves female wrestlers – is liable to be met with little more than a dismissive shrug by many of us. However, the UK DVD release of Fight Like A Girl is a more momentous occasion than we might realise. […]
By Tristan Bishop Discounting the big 80’s comedy hit Splash (and its sequel Splash Too) and a certain Disney film, mermaids haven’t really made much of an impact on the cinematic world. Sure, there was the bit in Cabin In The Woods, but that amounted to little more than a throwaway joke (albeit still the […]
By Ben Bussey It seems the grand old British tradition of cheap and nasty anthology horror is alive and well in the 21st century. We have of course seen our share of anthology horrors in recent years, the most prominent being the V/H/S and The ABCs of Death movies, but we haven’t seen much that really […]
By Tristan Bishop We’ve all, no doubt, seen enough of the post-apocalypse genre to last a lifetime, but what of the time leading up to the big event? Films dealing with the pre-apocalypse are few and far between, with only 1988’s excellent Miracle Mile and 1998’s Last Night sticking in the mind. These Final Hours, […]
By Ben Bussey Just about every megabudget major studio production to hit the multiplexes these days seems to come with the promise of it being part of a new cinematic universe. However, it’s not just the $100 million + blockbuster crowd who are at it, as anyone who’s been following the progress of microbudget British […]
By Quin I have long had an optimistic view of the found footage sub-genre. Even though I can count on five fingers the ones I’ve really loved, I recognize a found footage film really has the potential to deliver something innovative and truly frightening. However, after seeing Justin Doescher’s film The Break-In, I have to […]
The Ninth Configuration is a film which, at a glance, appears to offer something radically different from what you actually get. Look at the cover art below: above the title we have the name of William Peter Blatty, writer of legendary horror movie The Exorcist; the title itself seems arcane and almost inscrutable; and we […]
By Nia Edwards-Behi I’ve already had the pleasure of writing at length about one of my all-time favourite films for this website’s anniversary retrospective series, when in 2012 I wrote about The Last House on the Left’s 40th anniversary. Time goes on and now I’m very excited to have the pleasure of commemorating 45 years […]
By Keri O’Shea Crazed acolytes! That’s always a good start to a film, be in a golden oldie or a modern piece of cinema – and that’s just how we get going in Craze, a lesser-known horror movie from the oeuvre of British director Freddie Francis (a man with a distinguished filmography to his name, […]
By Nia Edwards-Behi I have no qualms in saying that Melanie Light is, to me, one of the most exciting people working in the British horror scene. Vastly experienced as a production designer and art director, Light has demonstrated with her short film work both dedication to the genre and growth in her own craft. […]
By Keri O’Shea Why did Nazisploitation movies enjoy such a brief, if lurid moment in the sun during the European cinema of the 1970s? Perhaps the old adage ‘history is written by the winners’ applies as much to the arts as it does to other aspects of society; certainly, there has never been any great […]
