The Autopsy of Jane Doe (2016)

When we ‘see what’s on the slab’ in the horror genre, it tends to be a young woman. Some of the films in question are just plain gut-wrenchingly horrific (such as Nacho Cerda’s Aftermath), some are undoubtedly horrific, but all the same cleverer than many might give them credit for (Deadgirl) and then – there’s […]

Invader Zim #40

For those of us who were teens in the late 90s to early 2000s and loved Marilyn Manson and JNCO jeans more than life itself, the name Jhonen Vasquez is very familiar. If you didn’t go through puberty like a butterfly of bad fashion, Jhonen Vasquez was the creator of such underground comics as Johnny […]

Blu-ray Review: All the Colours of the Dark (1972)

Pardon me for opening on what will sound like a splurge of smug self-congratulation, but… as a lifelong film enthusiast with a master’s degree in cult film and television, and almost a decade’s experience publishing horror reviews online, some part of me will occasionally feel I warrant being classed as a genre expert of some […]

Review: The Mummy (2017)

The Universal monster movies: a time-honoured brand for which there is so much love, which the studio have tried so hard and failed so miserably to resurrect time and again. 2004’s Van Helsing, 2010’s The Wolfman and 2014’s Dracula Untold had all been pitched as launchpads for a new monster movie universe, but none of them […]

Review: Wonder Woman (2017)

Wonder Woman is a lot of things to a lot of people. Superhero, feminist, Amazon, an icon, a killer, and the longest-running female hero to ever grace the pages of comic books. She was the reason a lot of girls started reading comics, and a lot of boys learned that girls can kick ass and […]

DVD Review: Short Poppies (2014)

Rhys Darby is one of those comedy actors who, even if the name doesn’t automatically ring a bell, you’ve most likely seen in something. On the small screen, he’s surely best known for his supporting role in Flight of the Conchords as Murray, the inept manager who handles the band on the side of his […]

Review: Colossal (2016)

The daikaiju (or, if you’re a bit less ostentatious, giant monster movie) has always offered a handy, audience-friendly way for filmmakers to address big fears. As countless books on the subject will tell us, Godzilla served as a cathartic expression of post-Hiroshima/Nagasaki angst for Japan, and the ensuing franchise has addressed broader concerns about ecology, corporate […]