øjeRum, Reversed Cathedral (2022)

Cyclic Law, based in France, occupies an important space as a purveyor of dark ambient and experimental music. And this label’s releases are genuinely experimental, too, rather than simply sounding eclectic in ways which themselves soon become pretty predictable. There’s often a sense of mystery to what CL releases, if that’s not overstating it. And […]

Kiddo (2022)

Somewhere, in a very dour-looking Yorkshire, a group of young people are being taken on a bus trip to a place called ‘Wonderland’ (which, again, looks pretty dour – but that’s not beyond the realms of the imagination in Britain). They seem happy enough; however, there’s something not quite right about this whole set-up. They’re […]

Something in the Dirt (2022)

By Guest Contributor Darren Gaskell The fabulously monikered Levi Danube (Justin Benson) moves into a ramshackle Los Angeles apartment and, via nothing more or less than a shared interest in smoking, strikes up a rapport with fellow block dweller John Daniels (Aaron Moorhead). Both appear to be searching for some kind of direction in life […]

Christmas Bloody Christmas (2022)

A run of cable TV-style advertisements opens Christmas Bloody Christmas (2022), and amongst them is an ad for something called a RoboSanta+, a kind of seasonal cross between a decorative item – and a top-level piece of mall security. And why not?! It’s no detriment to the film that it’s completely clear this bit of […]

Dawn Breaks Behind the Eyes (2021)

‘How long do you think we’ve been here?’ This early line in Dawn Breaks Behind the Eyes (2021) perhaps puts us in mind of a classic haunted house story: like The Haunting of Hill House, with its dreaming walls and watchful ghosts, the film is centred on a beautiful, if tumbledown castle, and the people […]

On The Edge (2022)

On The Edge sees filmmakers Jen and Sylvia Soska back at the helm: here, writing, directing and producing an original feature once again. You may, if you look around, see it being vaunted as a ‘psychosexual’ piece of work, a film targeted at an 18+ audience and, through its use of nudity, BDSM and kink, […]

Brightwood (2022)

When a couple has been together for a “stupid amount of time”, as in the case of Dan (Max Woertendyke) and Jen (Dana Berger), then breaking up is a difficult thing: years of shared history blur into bad feelings, anger obscures rational solutions and it can feel as if you’re going around in circles. In […]

The Menu (2022)

By guest contributor Darren Gaskell Enthusiastic food fanatic Tyler (Nicholas Hoult) invites Margot (Anya Taylor-Joy) on a trip to a once in a lifetime dining experience on a remote island at an exclusive restaurant called Hawthorne, where superstar head chef Slowik (Ralph Fiennes) has prepared a multi-stage menu full of surprises and an overarching theme […]