By Comix Sometimes, the strangest stories come from the most humble of people. What could at one moment be a sweet tale of childhood innocence can quickly turn into one of horror in a world a thousand miles beyond redemption. Sweet Tooth is exactly that kind of comic. It is a story of brutality and […]
By Keri O’Shea As a general rule of thumb, I tend to avoid English language versions of J-horrors. Sure, the Far East has provided rich pickings for cautious filmmakers and those who fund them, but almost as soon as Ring happened, Japanese horror became a victim of its own success; no sooner had Sadako become […]
Review by Annie Riordan So I’m going camping this summer. Actually, I went camping last summer, but it doesn’t count because #1 – I didn’t know I was going camping and #2 – it turned into an epic clusterfuck, which ended with me wading through knee-high pools of rainwater in my pajamas in search of […]
By Ben Bussey Warning: spoilers, sideboob and man-ass ahead… ‘Sex sells.’ The old maxim has always rung true, and no doubt always will. However, back in the 1990s that time-honoured notion was taken to an altogether different level. The major movie studios had not yet developed that obsession with making everything PG-13/12A rated, so a […]
Review by Nia Edwards-Behi I confess to not being particularly familiar with Charles Band’s body of work. I know I’ve seen a Puppet Master film, but I couldn’t for the life of me tell you which one. All I know is that I didn’t like it, but I can’t remember why I didn’t like it, […]
Review by Mike Snoonian In the fall of 2009 Zombieland stormed cinemas, posing as the only credible threat to Shaun of the Dead’s claim for the best zombie comedy throne*. Featuring the best use of Bill Murray since Osmosis Jones Kingpin, crackerjack performances from its core cast (including a pre-Social Network Jesse Eisnenberg shedding the […]
By Keri O’Shea Daniel Gates is what you would call a fixer – a man of ways and means, someone who works to acquire rare artefacts for people whose conventional methods have turned up nothing. He does this for a steep fee, of course, but he is good at what he does. When he successfully […]
Review by Ben Bussey One thing we can categorically state about Britsh writer-director Steven Sheil is that he is doing his utmost to avoid pigeonholing. Having made his name with the dingy kitchen-sink ordeal horror of Mum and Dad, which was set for almost the duration in a squalid two-up two-down in the shadow of […]
Review by Tristan Bishop Medical-themed horror is all around at the moment, from the diseased queasiness of films like Errors Of The Human Body and Brandon Cronenberg’s brilliant Antiviral, to the body-modification themes of American Mary. The morbid fear of hospitals, illness and surgery is a universal one, and has been represented in film since […]
By Keri O’Shea By sheer coincidence, two of the films which I most enjoyed at this year’s Dead By Dawn festival are all about the subject of friendship, and how that friendship endures under, shall we say, a series of unfortunate events. The first of these is of course The Battery, which uses a zombie […]
By Oliver Longden It is fair to say that time has not been kind to The Leopard Man. 70 years after its release it looks hokey, unevenly acted and has a twist ending that looms like a Titanic-sinking iceberg over the second half of the movie. Yet despite its flaws, or perhaps because the distance […]