They Have Changed Their Face – Details on Cigarette Burns Screening, plus Q&A with director Corrado Farina
By Tristan Bishop I’ve been a fan of Italian genre cinema for around 25 years – every since I caught a TV showing of Mario Bava’s Black Sunday as an impressionable youth – and as such I tend to believe I’ve seen most of the best that the Italian golden age (around 1960-1986) has to […]