By contributor Gabby Foor Most tragedies have come and gone by the time we arrive at the funeral, but our journey is only beginning in The Haunting of the Lady-Jane when we arrive in a church half-full of mourners. Kneeling and distressed is Lily (Natasha Linton), straining to absorb the priest’s words through her grief […]
Any expectations I had for Martyrs Lane (2021) were very quickly blown out of the water; it’s a ghostly tale which in many ways feels like it comes from an earlier time, having more in common with the subtle horrors of the 60s and 70s than the flashier, quick edits of modern cinema. This is […]
Unorthodox stories of the afterlife seem to offer a great deal of potential for exploring fundamental ideas about what it means to be alive: when faced with disruptions to what we know, or think we know, or believe in, we’re encouraged to think differently, or given a new focus on what’s important. A Ghost Waits […]
It’s a pleasure to find oneself watching a hitherto-unknown supernatural horror, just like The Changeling. Before Insidious and that Woman in Black remake were even a twinkle in the eye, before ghosts got riotous, filmmakers were giving voice to ghost stories which could be understated, yet complex enough to keep their secrets until the end. […]
The Ghost Stories film comes to us off the back of a much-praised stage play of the same title by two of our finest writers, Andy Nyman and Jeremy Dyson: at the time it was doing the rounds some years ago, I managed to immure myself against hearing even the barest hint of what it […]
For someone not given to supernatural beliefs, I have a fascination with supernatural horror, and there are few supernatural horrors more famous than The Amityville Horror; close to forty years after it first appeared, there are still films getting made which carry the Amityville moniker. One of the key reasons for the success of the […]