Dagr (2024) is quite clear on what it is and what it’s all about from the very opening credits: this is found footage, brought right up to date. We get some on-screen text telling us about two social media stars, Thea and Louise, who had amassed a serious following by 2021 for their particular shtick, […]
Sci-fi of all stripes has often been naturally inclined towards exploring quantum theory: this alternative means to define reality lends itself to intriguing examinations of the human condition, which potentially makes for good cinema. It’s very much the case in Infinitum: Subject Unknown, a low-key but adventurous and thought-provoking low-budget film which spins together some […]
I’m very glad that filmmakers seem to be returning to aesthetically-pleasing supernatural tales these days, rather than endless found footage or excruciating ordeal horror. You could argue that there’s plenty of space for all the above, of course, and you needn’t stick with just one genre of horror (or any other genre for that matter) […]