Mayhem Film Festival: The Gangster, The Cop, The Devil (2019)

There’s a brutal serial killer on the loose in South Korea. His modus operandi is quite simple: by faking a collision with another vehicle on a deserted road, he encourages the aggrieved party to get out of their car: when they do so, he waits for them to get distracted, then stabs them to death. […]

Josie (2018)

It must be incredibly hard to carve a new niche for yourself as an actor when you’re largely known for one role, but – as Game of Thrones is about to enter its final ever season – this is something the cast are going to have to negotiate; that is, unless they’re doing it already. […]

Siberia (2018)

You have to hand it to Keanu Reeves. He may have been a huge star ever since breaking through as one half of the affable, dim-witted metalhead duo in Bill & Ted’s Excellent Adventure a full three decades ago, yet for the longest time he was widely deemed impossible to take seriously as a dramatic […]

Doubleplusungood (2017)

The legacy of Catholicism in French and Belgian left-field cinema seems to mean a strange predilection for Christian themes, although it finds its form in curious ways. In recent years we’ve had Calvaire, made in 2004 (retitled ‘The Ordeal’ for English audiences, which neatly strips it of its Biblical meaning), the Christmas creation horrors of […]