Ben has recently made reference to the on-going exploration of pregnancy in horror, and as a theme it certainly seems to be having a bit of a moment – from the last year or so, Shelley, Antibirth, and Prevenge have all tackled the issue, in quite different ways. Prevenge has perhaps been the most hotly-anticipated and highly-regarded of these films, at least in the UK, coming from accomplished comedy writer and actress Alice Lowe, making her feature film directorial debut.
What makes the debut all the more stunning is that Lowe directed – and starred in – the film while seven months pregnant herself. Impressive though that is from an endurance perspective, it also seems to have been quite vital to the success of the film thematically: a genuine portrayal of the psychological difficulties of pregnancy… with added murder.
If there’s been one recent Blu-ray announcement that I’m most excited for it’s got to be Arrow’s upcoming The Bird with the Crystal Plumage set. Coming in June, the set promises a 4K restoration of the film, a host of new commentaries and analyses on the film, a brand new interview with Maestro Argento himself, as well as a 60-page collectors’ booklet, a poster and re-production lobby cards. Along with the Phenomena release (May 8th), it’s looks like Arrow are revamping their Argento collection, and if they’re all getting this lavish treatment then, well, my bank account’s going to be looking significantly poorer for a while!
We’ve said it before and I’m sure it’s worth repeating – it’s hard to keep up with the number of projects seeking crowd-sourced financial backing, and it can be even harder to know which ones to help promote and which ones to leave aside. It gets to a point of saturation where it’s easier to just chuck a few quid at the ones you like best and leave it at that.
However, sometimes projects come along that you really do have to shout about, and this is one of those, if you ask me. The official documentary about the life and career of legendary actress, performer and all-round force of nature Tura Satana is seeking the funds to complete production. The documentary had Satana’s blessing before she passed away in 2011, and the people behind the production include her long-time manager Siouxzan Perry and director Cody Jarrett, who directed Satana in her final film role as an actress. The film has already secured an impressive array of talking heads, including John Waters, Dita Von Teese and the late, great Ted V. Mikels, and is offering a range of cool perks to those who help back the film, from art prints to actual items from Satana’s wardrobe (!).
The mighty Dead by Dawn festival, the UK’s longest-running horror festival, based in Edinburgh, takes place this year at Edinburgh Filmhouse April 20-23rd. They’re just announced their line-up and it’s a tantalising mix of brand new films, classics and a whopping 7 short film strands. They open with the UK premiere of The Evil Within (a film which has had some attention this week), and closes with a midnight screening of Gillespie and Kostanski’s The Void. The festival will also be featuring acclaimed new films Without Name and Always Shine, as well as a number of UK premieres. Dead by Dawn also boasts a very special screening of Arrow Video’s brand new 4K restoration of Dario Argento’s Phenomena. Other classics include a Cronenberg double-bill of The Dead Zone and Scanners, a Vincent Price strand and, much to editor Ben’s approval I’m sure, a ‘double-Dekker’ of House and The Moster Squad.
Attach the name Jess Franco to a film and unless you’re already a super fan it’s likely you’ll have your broad, generalised expectations of what that film will be like – crash zooms, extensive T&A, and, if there’s a plot, it might not make much sense. Sometimes, this expectation is not met, and in the best possible way – I’m still something of a Franco neophyte, but films like Virgin Among The Living Dead (even with that title) and Venus in Furs have proven to be enjoyable and beautifully made films. Along comes Female Vampire, then, out now on UK Blu-ray from new Euro-sleaze imprint Maison Rouge, arguably one of Franco’s most well-known, tentpole films. I think it’s fair to say that Female Vampire did indeed meet all of my expectations of a Franco film, and unfortunately for me that wasn’t a good thing.
There have been quite a few big announcements lately of upcoming home entertainment slates and there are some rather juicy morsels on their way from Arrow Video, Arrow Academy and Eureka in April and May!
Arrow Video recently revealed their release slate for April and gosh are there some juicy looking gems in there!
On April 10th Arrow Video will release a dual-format edition of Caltiki the Immortal Monster, which is something of a pivotal Italian genre film from Riccardo Freda and Mario Bava. Part-sci-fi and part-horror, Caltiki was Freda’s second film to be taken over by his regular cinematographer and soon-to-be auteur Bava, after I Vampiri in 1959. Arguably Bava’s first official film as director, he completed Caltiki when Freda left the set enraged by the behaviour of his producers. Being an Arrow release there are copious extras, including two audio commentaries, several interviews and, if you get a copy from the first pressing, a booklet featuring new writing by Kat Ellinger and Roberto Curti.
When a film is touted as a supposedly offensive comedy, I tend to go in sceptical, because for me titles touted as such tend to be neither. Such was the case with War on Everyone, and it’s fair to say, in that regard at least, my expectations were met. War on Everyone failed to elicit a single belly laugh from me, and neither did it leave me writing letters to my local MP demanding the BFI should be dismantled for funding such sick filth. No, instead, I was mostly bored for just over an hour and a half, and wishing I’d re-watched The Nice Guys for a third time instead.
Something we’re hoping to keep you up to date on here at Warped Perspective is news of the most exciting upcoming home entertainment releases – we’re talking DVDs and Blu-rays, predominantly, of the hot new genre films and the best in cult classics. There are so many great specialist labels out there now that sometimes it can be hard to keep track (and I can’t promise I’ll manage to cover everything, so give me a shout if I’ve left out anything great!).
As it’s the start of the year here are some of the highlights of January’s upcoming releases, in case any have slipped under your radar, as well as a couple of exciting recent announcements.
If there was one thing that didn’t suck horribly about 2016 it was the year’s selection of genre films. As ever, I’ve been immensely privileged to see a whole load of upcoming films as well as general releases, and so my favourites list is populated by a mix of films that were on general release and others that will be in UK cinemas and homes during 2017. I’ve broadly here stuck to films which are ‘genre’, with an emphasis on horror, but even so it was a struggle narrowing things down.